Sony Pixel Power calrec Sony

10 Questions with the Creator: Shon Bollock + Impermanence: Rafting the Grand Canyon

12/05/2022

GoPro Family member Shon Bollock recently set out to document he and his father Steve's journey to recreate a Grand Canyon rafting trip that they first embarked on in 2005. Sixteen years-and a whole lot of adventures-later, they were able to rally two other boatmen from the original group to execute what could only be described as the bookend trip of a lifetime. In fact, embracing the time we have on Earth became a main theme in the video, titled: GoPro: Impermanence | Rafting the Grand Canyon.

The short documentary, shot 100% on HERO10 Black + MAX, follows the four rafting veterans on a 24-day, 280-mile trip down the Colorado River as they battle not only the elements but Father Time, too. Between sharing fond memories of life on the river-and making new ones-one of the boatmen, Marty Sochet, openly wonders when the three 70-plus-year-old boatmen would become liabilities rather than assets on trips like this. (Spoiler: As you you'll see in the video, this won't be any time soon!)

We caught up with Shon, who is a former professional kayaker in addition to filmmaker, to hear more about what went into the making of Impermanence and all the feels that come with watching it. Here are 10 questions with the creator:

1. How many of the original crew from the trip were there?

Shon: From the original crew on our 2005 trip, we had four of us, which happened to be all the boatmen. I was the only raft guide on our trip that was under 70 years old, and given how tired I was, if my fitness level is half of what the other boatmen had going, I will consider myself lucky. It was truly impressive to watch them navigate the river with grace and with minimal mistakes.

2. How did the dads' (a.k.a. the subjects of the video) meet?

The Dads all met through being river rats oddly enough. My dad, Steve, was guiding for Turtle River Rafting company and met Marty while he was kayaking on the Owyhee in the early 1980s. Marty and Rick were already kayaking buddies and my Dad was the first person to let Rick row on Lower Klamath. Rick was invited on their Grand Canyon trip in '85, which ended up being the first time he had ever rowed his own raft for a whole trip. Eventually, Rick was the owner of Turtle River Rafting company where many in our river circle cut their teeth learning how to guide. Fast forward a couple decades from '85, and they all had children who grew up together eventually joining forces for our first Grand Canyon trip together in 2005.

3. How long did prep take for the trip? And did you always know you'd want to film this reunion trip?

The Grand Canyon permit lottery is a complicated system, one where your odds of winning decrease every time you go on a trip. Our boatmen, not including myself, have nearly 40 private trips down the canyon under their belts. Given those odds, we were fortunate that Gareth Plank, one of our local friends up here in Mt. Shasta, won the permit lottery and extended us the opportunity to jump on his permit. This means we had about 8 weeks to get all of our logistics, gear rentals, shuttle and transportation situated for the trip.

If you ever get the chance to go on a private trip down the Grand Canyon, it's an opportunity that you literally drop anything and everything to be a part of, and I mean anything quit your job, rob a bank, sell a kidney, whatever it takes.

4. Did you raft the exact same section of the river?

We had the same put-in at Lee's Ferry as my first trip but this one was longer. Our 2005 trip was 16 days, and we took out at Diamond Creek but this trip we took the full 24 days and went through the entire canyon taking out at Pearce Ferry, 280 miles from our put-in. Since I was a teenager the last trip, my awareness of the place and the magnitude of the endeavor was pretty lost on me. The effort our fathers put in to get us down that stretch of river at such a young age was nothing short of amazing. Pretty sure I called them all psychopaths about a week into our trip because it became very clear how difficult it would be to bring a pack of teenagers down there for such a long stint in the wilderness.

5. They call it grand for a reason.' What a great quote at Mile 52! Were you starting to get loopy out there? Or what day did the I haven't seen civilization in X days' brain start to kick in?

Not quite yet, haha. At that point you are not even 25% into the expedition, so you want to pace yourself. I think if you have visited the rim of the Grand Canyon you are in awe, but the magnitude of the geological time you float through really expose how tiny and insignificant we are. Despite all the struggles I had during our trip, I really wanted to be as present as possible, trying hard to not look at the map or count days. Once you pass Diamond Creek, the character of the canyon really changes, and in those last few days you become overtly aware of the drought happening below by the towering silt banks.

View this post on Instagram

A post shared by Shon Bollock (@shonbollock)

--

6. Around 9:21 there is an epic view of the camp from the ridge above. What time did you usually get on and off the river for the day and was there a lot of hiking in those off hours?

That was actually a view from the Patio, which was a day hike. We ended up camping just downstream of there since camping isn't allowed at spots like this on the river to preserve the more heavily trafficked areas.

We had a very diverse range of experiences and hiking desires on our trip, which led to some challenges around making time to hike but also creating reasonable hours on the water.

Our crew was made up of early risers which lead us to getting off the beach around 8 a.m., but we weren't usually getting to camp until around 4 p.m., which set us up for some long days.

Full transparency, I had a lot of hiking amb
LINK: https://gopro.com/en/gb/news/impermanence-rafting-grand-canyon-with-sh...
See more stories from gopro

Most recent headlines

05/01/2027

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be demoed at CES 2026

Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...

04/08/2026

Dalet Announces Commercial Availability of Dalia, Bringing Media-Aware Agentic AI to Enterprise Productions

Dalet, a leading technology and service provider for media-rich organizations, t...

04/07/2026

Detective Conan: Fallen Angel of the Highway Opens in Dolby Cinemas Across Japan, Presented in Dolby Atmos and Dolby ...

April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...

01/06/2026

Dolby Sets the New Standard for Premium Entertainment at CES 2026

January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026 Throughout the week, Dolby brings to life the latest innovatio...

02/05/2026

Dalet Flex LTS Delivers Smarter Search, Faster Editing, and an AI-Ready Foundation for Modern Media

Dalet, a leading technology and service provider for media-rich organizations, t...

01/05/2026

NBCUniversal's Peacock to Be First Streamer to Integrate Dolby's Full Suite of Premium Picture and Sound Innovations

January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...

20/04/2026

Live From NAB 2026: Sonys Hugo Gaggioni Highlights HDR Advances, Software-Defined Workflows

At the 2026 NAB Show, Sony is showcasing a broad slate of innovations across liv...

20/04/2026

Live From NAB 2026: Fujinons Stosh Durbacz on Expanding the 4K Broadcast Lens Lineup With New Portable Zooms, 94x Box Lens

Fujifilm is sharpening its focus on core broadcast production with a new wave of...

20/04/2026

Live From NAB 2026: Rock-It Sports' John Walberg on Powering Logistics, Shipping for the 2026 FIFA Men's World Cup

This upcoming summer in North America is going to be a busy one. The 2026 FIFA M...

20/04/2026

NAB 2026: Glookast outlines product updates including Media Producer UX, connectors and Premiere Pro panel

Glookast (Booth W1661) announced a series of product updates at NAB Show 2026, c...

20/04/2026

NAB 2026: Matrox Video and Amagi collaborate on cloud-based broadcast workflows using ORIGIN framework

Matrox Video and Amagi announced a collaboration to integrate the Matrox ORIGIN ...

20/04/2026

NAB 2026: Riedel SimplyLive supports expanded centralised VAR system for Argentina football league

Riedel Communications (Booth C4908) announced that the Asociaci n del F tbol Arg...

20/04/2026

NAB 2026: Ikegami introduces VFE-P07D OLED viewfinder with integrated LCD monitor

Ikegami (Booth C3819) announced the VFE-P07D monocular OLED viewfinder at NAB Sh...

20/04/2026

NAB 2026: IABM rebrands as IAMT and launches AI discovery platform and global alliance

International Association of MediaTech (IAMT), formerly known as IABM, announced...

20/04/2026

NAB 2026: Harmonic supports DIRECTV DTH platform upgrade with VOS Media Software

Harmonic (Booth W2831) announced that DIRECTV is updating its US direct-to-home (DTH) video platform using Harmonic's VOS Media Software. The deployment is...

20/04/2026

NAB 2026: Wasabi Technologies acquires Seagate Lyve Cloud business

Wasabi Technologies announced that it has acquired the Lyve Cloud business from Seagate Technology. As part of the agreement, Seagate received equity in Wasabi ...

20/04/2026

NAB 2026: EVS introduces Choreon robotics orchestration platform for unified production control

EVS (Booth N1841) has launched Choreon, a robotics controller for media producti...

20/04/2026

SportsTechBuzz at NAB 2026, Day 2: Live Reports From the Show Floor in Vegas

The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...

20/04/2026

NAB 2026: Skyline Communications launches DataMiner packages on Grass Valley AMPP App Store

Skyline Communications announced the availability of its DataMiner xOps platform...

20/04/2026

NAB 2026: SNS launches Outpost, Trio and AI Suite for connected post-production workflows

Studio Network Solutions (Booth N1129) introduced a set of new products at NAB S...

20/04/2026

NAB 2026: Dell Technologies and NVIDIA present AI data platform for media workflows

Dell Technologies is showcasing its Dell AI Data Platform with NVIDIA at NAB Sho...

20/04/2026

NAB 2026: Blackmagic Design Announces Fairlight Live Software Audio Mixer

Blackmagic Design has announced Fairlight Live, a software-based live audio mixer with SMPTE 2110 support and spatial audio mixing. A public beta is available n...

20/04/2026

Live From NAB 2026: Imagine Comms Jimbo Haneklau Talks Prismon, Hybrid IP/SDI Workflows, and Cloud Playout

At the 2026 NAB Show in Las Vegas, Imagine Communications VP of Sales, Sports an...

20/04/2026

Live From NAB 2026: LiveUs Phillip Broaddus on LU900Q Launch, Nexus Cloud Platform, and REMI Growth

At the 2026 NAB Show in Las Vegas, LiveU Senior Director of Sales, Sports Philli...

20/04/2026

3 New Ways to Dive Deeper Into the Music You Love

A song that perfectly captures a moment is magic. But when you uncover the story behind it, who made it, what inspired it, and the meaning woven into the lyrics...

20/04/2026

Deity Microphones announce the PR-4

Ultra-compact 32-bit recorder set for launch Deity Microphones will soon be launching a new 32-bit six-track recorder that's been designed with producti...

20/04/2026

Lectrosonics preview the S1

Uncoming lightweight shotgun mic announced Production-sound experts Lectrosonics have recently announced the upcoming launch of a new lightweight shotgun mi...

20/04/2026

The story of Focusrite ISA

New 20-minute documentary explores iconic preamp In 2025, Focusrite commissioned a new short-form documentary with filmmaker Chris Mayes-Wright - the direct...

20/04/2026

Sampleson release Boomcha

Turn quick sketches into real drum grooves Sampleson have been experimenting with assitive production tools recently, and their latest creation aims to make...

20/04/2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration van at Counter UAS Technology Europe 2026

Rohde & Schwarz rolls out its full ARDRONIS counter UAS suite in a demonstration...

20/04/2026

Protecting America's Shores: L3Harris Keeps the Coast Guard Mission-Ready

L3Harris delivers integrated communications, navigation and C4ISR capabilities that empower the U.S. Coast Guard to protect Americas maritime interests and resp...

20/04/2026

Google Cloud Embraces the Rise of Agentic Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Creators Go All in on AI, Niche Content

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

NBC Sports' Jon Miller: Broadcast Is Having a Moment'

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Beyond the Lift and Shift': Cloud Migration's New Mandate

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Virtual Production Finds Its Footing

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Corporate Creators: All Companies Are Media Companies Now

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

IABM Rebrands as the International Association of MediaTech

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CBS Detroit Debuts New AR/VR Technology-Driven Studio

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Fox Sports Taps Appear X Platform for Remote Production

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

CueScript and Lighting Design Group Expand Customer Oppor...

CueScript and Lighting Design Group Expand Customer Opportunities Through New Partnership Find both companies at 2026 NAB Show in CueScript Booth # C 4720 ...

20/04/2026

Layercake Deepens Bitmovin Integration to Power End-to-En...

[Sydney, NSW, 20 April 2026] - Layercake, the company behind the intelligent media orchestration platform Streamcake, today announced the formalisation of its i...

20/04/2026

FOX Sports selects Appear X Platform for next-generation...

Deployment spans FOX Sports' REMI infrastructure, IP production for a major global soccer event, and its Jewel Events production systems Appear, a global l...

20/04/2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effects Integration for Avid Media Composer at NAB 2026

Pro Sound Effects Launches the Industry's First and Only Native Sound Effect...

20/04/2026

SBE Elevates Fred Willard to SBE Fellow

Share Copy link Facebook X Linkedin Bluesky Email...

20/04/2026

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update

Blackmagic Design Announces Blackmagic Camera for iOS 3.3 Update Brie Clayton April 20, 2026 0 Comments New update adds camera control and monitoring ...

20/04/2026

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D

Maxon Announces Free Tools and Mobile Expansion of ZBrush and Cinema 4D Brie Clayton April 20, 2026 0 Comments Cinema 4D brings professional 3D workfl...

20/04/2026

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environment

Vizrt AI Keyer kills the green screen and creates virtual scenes in any environm...

20/04/2026

Register now - Market & Audience Department Ask Me Anything (AMA) Session

Register now - Market & Audience Department Ask Me Anything (AMA) Session 11 February 2026 Screen Australia Head of Market & Audience Rakel Tansley Talking to...