
PARK CITY, UTAH - JANUARY 18: (L-R) John Early and Theda Hammel attend the 2024 Sundance Film Festival Stress Positions premiere at Library Center Theatre on January 18, 2024, in Park City, Utah. (Photo by Chad Salvador/Shutterstock for Sundance Film Festival)
By Annie Lyons
Stress Positions might technically be a COVID-19 movie. But filmmaker Theda Hammel wants you to cast aside your assumptions about what exactly that strange recent genre entails in her feature directorial debut, which premiered on January 18 at the 2024 Sundance Film Festival.
The threat of contamination is one of the big issues at stake in the movie, Hammel explains in the film's post-premiere discussion at the Library Center Theatre in Park City, Utah. COVID is mentioned one time, but it's very clear, to me at least, that the [main] character is afraid of a moral, social contamination. The idea is of being afraid of one's neighbors, afraid of strangers, and even afraid of one's friends in the event that they manifest something that could be morally, virally dangerous.
Adding to her thoughts, cast member John Early chimes in, saying, I think Theda really understood that there was such screwball potential with COVID. Mythic potential.
Screwball sounds about right. Inducing anxiety and laughter alike, the U.S. Dramatic Competition film follows the high-strung Terry Goon (Early), a 30-something man who takes up refuge in his soon-to-be ex-husband's house during the pandemic's early days. An already tense time intensifies further with the arrival of his estranged, injured nephew Bahlul (Qaher Harhash), a 19-year-old Moroccan model.
Though Terry tries to look after Bahlul, he can barely keep himself together - and that's not even mentioning Karla (Hammel), Terry's equally chaotic best friend. As Bahlul explores his own identity and complicated relationship with his mother, he's met with a frequent lack of understanding from Terry, who initially assumes Morocco must be part of the Middle East.
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