In Germany, as in other countries, a year without live gigs has dealt a financial blow to music venues and musicians alike. With the online concert series Stay Live, German broadcaster ZDFkultur, together with NPO Initiative Musik and agency Turbokultur, seeks to help the defunct music scene. Producer/director Marc Schuetrumpf and colorist/editor Christopher Stoeckle of production company Neoxfilm spoke to us about why they chose ARRI Multicam to shoot the 12 live concerts, while documentary filmmaker Tobias Koppe explains why ALEXA Mini was his camera of choice for behind-the-scenes footage.
Can you describe the ARRI Multicam setup you put together for the live concerts?
Marc Schuetrumpf: We had five ARRI AMIRAs, which were used and positioned in various different ways, including on two dolly systems with curved rails and on the stage itself, in an Easyrig. This was especially advantageous for our special stage, which we placed in the middle of the audience area. It also meant that larger bands, with up to 11 performers, could be filmed in a natural way because we could move among them and they played at the same level as our camera operators.
It really elevates the footage, going beyond the standard shots you would normally see for situations like that. Even with wider focal lengths you can have a narrower depth of field, drawing the audience's attention either to the singer, or a different performer, or the mentor off to the side. That's a big difference from traditional 2/3-inch cameras, where everything is in focus and you can't shape the image. It's also much more inspiring for the camera operators, who did a really outstanding job on this project.
Combining the AMIRAs with Fujinon Cabrio zooms meant that we could quickly, but smoothly, change focal length when needed. It made it look like we had more than five cameras, and allowed us to react much faster to changing situations. All in all, ARRI Multicam gave us a very flexible, high-quality setup. Like the way movies shot on film have a certain cinematic look - I always want to achieve that, and with this system I can.
ARRI AMIRAs, used and positioned in various different ways.
Did the ARRI cameras make a difference to how you were able to light the concerts?
Marc Schuetrumpf: We tested, and its amazing how intense the lighting can be without negatively affecting the recorded image. Even powerful spotlights are rendered perfectly in the picture. For example, we had a really heavy rock band with a lot of intense flashing lights as part of their stage show, but the AMIRAs captured all of it really nicely.
Christopher Stoeckle: I have definitely noticed that with other cameras, when the intensity of the light is at its strongest, you can get a black spot in the middle of the light source. With ARRI cameras theres no such thing, and thats a huge advantage.
Performer Deine Cousine. ARRI cameras easily handled the intense flashing lights.
Marc Schuetrumpf: That wide contrast capture makes such a difference that even the viewers at home would easily recognize its value. In our camera tests, AMIRA went one or two stops further in both underexposure and overexposure. Even when the image or a spot is pushed to extremes, the colors are much better than other cameras. That was one of the reasons why I chose ARRI Multicam. I dont want to worry about lights in the frame; in fact, I want to consciously include them, and I was impressed by the results. When I look at the pictures on the screen or on TV, Im as happy as a little kid.
There was a project in the late Sixties called The Rolling Stones Rock and Roll Circus, where the whole concept was a kind of a small center stage with different bands - newcomers, friends, and rock stars playing together - filmed with 16 mm cameras. I was so happy and almost overwhelmed to bring this spirit of meeting friends and other musicians in a very special location again on stage, with an even better image quality than analog film.
We simply could not have pursued this concept with a smaller dynamic range; it allowed us to be flexible and varied. We had 12 bands, ranging from pop bands, to Las Vegas glamor with happy shining costumes, to heavy metal. And there was a different look, or genre, for each performance.
Performers Klan und MiA. The ARRI Multicam System allowed a different look for each act.
Did LUTs form a part of developing those different looks?
Marc Schuetrumpf: We recorded Log C and had a basic LUT that we developed in preproduction. Then we had two or three additional LUTs for the different genres or looks, emphasizing certain colors or adjusting the contrast. If you tweak something on the LUT, the images react immediately. The sensor is very sensitive, and thats the biggest difference between this and other popular formats or systems. ARRI Multicam has very natural color rendering - black is really black. Being able to incorporate LUTs creatively and easily is a big advantage of the system.
Christopher Stoeckle: We looked at the bands and what they were playing, and adjusted the colors accordingly. There might be more intensely saturated colors for lighter performers, and then a blue or monochrome look for heavy rock, for example. With ARRI cameras you have all the possibilities and you are not limited. The images are fast and easy to work with in the grading system, partly because footage from all the cameras is so well matched. You don't have to spend much time matching colors, which is a saving for the production.
The flexible and high-quality ARRI Multicam System in use.
Tobias - why did you choose the ALEXA Mini for your behind-the-scenes documentary?
Tobias Koppe: I shoot almost all my projects on ARRI, and the ALEXA Mini is my camera of choice. I love it, because the ProRes codecs can do more for me than the so-called Raw formats of other camera
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
23/07/2026
RT Commercial today announced Honda as sponsor of Today with David McCullagh RT Radio 1, weekdays 9am 11am.
Broadcasting directly after Morning Ireland in ...
23/07/2026
RT News is pleased to announce Barry Gallagher has been assigned as the new journalist covering news from Cork, Kerry and the wider Southern region
Working al...
22/07/2026
Library now available in Engine Player
Another of Eduardo Tarilonte's popular sample libraries has just been moved over to Engine Audio's Engine Pla...
22/07/2026
All-in-one mic & DSP interface overhauled
Cloudvocal have just refreshed the design of their all-in-one mic, audio interface and DSP processor, introducing ...
22/07/2026
The final boss of the lost dual-op-amp circuit
Electro-Harmonix have just introduced the Deluxe Big Muff Pi 2, which they say offers their latest take on t...
22/07/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
22/07/2026
A poisoned spy, a secret war, and a small English city contaminated by a deadly chemical weapon. Available on Sky Documentaries from 4 AugustWednesday 22 July 2...
22/07/2026
Audio at Parity: Comscore Launches Transcript-Level Targeting and Measurement wi...
22/07/2026
Arvato Systems and Lobster Enter into a Partnership and Combine the Integration Platform and Managed Services
Flexible integration solutions for cloud, hybrid...
22/07/2026
RT REPORTS NET SURPLUS OF 22.5 MILLION IN 2025...
22/07/2026
In the Opinion of the Censor airs Monday 27 July at 9.35pm on RT One and RT Player
In the Opinion of the Censor looks at how films for theatrical release wer...
21/07/2026
New research involving a cross-section of Mongolias independent media landscape finds enthusiasm for AI as a tool to improve efficiency, sustainability and resi...
21/07/2026
High-end analogue channel strip boasts plug-in recall
Originally revealed as a prototype back at NAMM 2024, the Channex Studio channel strip represented a b...
21/07/2026
Relies on same DSP as plug-in range
Musik Hack's line-up has been influenced heavily by founder Stan Greene's work as a mixing engineer, and their M...
21/07/2026
Official collaboration with boutique builder Dirty Boy Pedals
Warm Audio have just announced the launch of a new guitar pedal range created in collaboration...
21/07/2026
Rohde & Schwarz showcases broad range of EMC test solutions at EMC SIPI 2026 in ...
21/07/2026
X-Rite Pantone and NIFT Partner to Build Color Management Skills for India's...
21/07/2026
Harmonics cOS Virtualized Broadband Platform and Pearl Remote OLTs Enable Flexible PON Migration, While SeaStar Optical Node Powers Cost-Effective Multi-Gigabit...
21/07/2026
160 hours of Irish storytelling for 2026
KIN and The Walsh Sisters return
RT has today unveiled its most ambitious drama slate ever, with a record-breakin...
20/07/2026
Product range now readily available in the UK
Graph Tech Guitar Labs have just announced the launch of a new UK Online Store that makes it quicker and easie...
20/07/2026
Popular headset gains active noise cancellation
The Maxwell headet was Audeze's first foray into the gaming world, and thanks to its Dolby Atmos compati...
20/07/2026
Monday 20 July 2026
Sky brings free global roaming to millions of loyal custome...
20/07/2026
Red Seat Ventures Announces Introduction of Premium Creator and Podcast Communit...
20/07/2026
FIFA World Cup Final sets new RT Player record as the most-streamed single event in the platform's history
Over 1 million viewers watched live on RT 2 as ...
19/07/2026
Channel strip plug-in gets upgraded
Acustica Audio's vintage-inspired channel strip plug-in has just been treated to an update that expands its tonal ra...
18/07/2026
Captures nine sought-after Fender amps
IK Multimedia's latest TONEX expansion captures a selection of nine rare Brown Panel' Fender amps that were ...
18/07/2026
Latest batch ships alongside firmware update
Since being unveiled at Superbooth 2025, Frap Tools' debut polysynth has been met with widespread praise, a...
17/07/2026
Full engine access with reduced soundset
Sonuscore have steadily been introducing a selection of reduced-cost and free versions of their flagship products r...
17/07/2026
Two new special-edition models revealed
Over the past week, Arturia have launched special-edition versions of both their premium MIDI controller and stage p...
17/07/2026
Original founder now back at the helm
In a message posted on his personal social media accounts, Dirk Ulrich has announced that both Plugin Alliance and Bra...
17/07/2026
From intimate acoustic settings to large-scale festival stages, her focus has remained constant: preserving the true natural voice of the violin in every perfor...
17/07/2026
New and returning series, live festival broadcasts, powerful documentaries and major sporting moments headline RT Radio 1's summer schedule
RT Radio 1 is...
17/07/2026
Up For The Match - Live From Croke Park this Saturday at 8pm on RT One and RT ...
17/07/2026
RT Commercial has today announced DiscoverIreland.ie, as sponsor of The Traitor...
16/07/2026
Media organisations with tested plans for new products, services or revenue models can now apply for grants of up to 30,000 through the Business Innovation Syn...
16/07/2026
A new benchmark in bass enhancement
Described as a new benchmark in bass enhancement , Baby Audio's latest release has been designed to augment the lo...
16/07/2026
Popular library rebuilt in new Orbita Engine
Other Worlds Evolved is the latest of Zero G's sample libraries to be treated to a ground-up rebuild using ...
16/07/2026
Created in collaboration with A. G. Cook
The newest addition to Native Instruments' software collection introduces a new synth created by A. G. Cook, a ...
16/07/2026
Rohde & Schwarz supplies conformance test systems to Marquistech for India's...
16/07/2026
Modern broadcast facilities are no longer confined to a single control room. Production teams are spread across multiple workstations, machine rooms, studios, c...
16/07/2026
Whether you're operating a single control room or managing metering across an entire broadcast facility, having the right information in the right place is ...
16/07/2026
San Jose, CA - July 16, 2026 - Harmonic (NASDAQ: HLIT) today announced a $25,000...
16/07/2026
Modern broadcast facilities are no longer confined to a single control room. Production teams are spread across multiple workstations, machine rooms, studios, c...
16/07/2026
Fox Corporation Executives to Discuss Fourth Quarter and Full Fiscal Year 2026 F...
16/07/2026
More interfaces now compatible with Focusrite Control 2 Your Focusrite interface might now be compatible with a public beta support of Focusrite Control 2. If...
In Germany, as in other countries, a year without live gigs has dealt a financial blow to music venues and musicians alike. With the online concert series Stay Live, German broadcaster ZDFkultur, together with NPO Initiative Musik and agency Turbokultur, seeks to help the defunct music scene. Producer/director Marc Schuetrumpf and colorist/editor Christopher Stoeckle of production company Neoxfilm spoke to us about why they chose ARRI Multicam to shoot the 12 live concerts, while documentary filmmaker Tobias Koppe explains why ALEXA Mini was his camera of choice for behind-the-scenes footage.
