In Germany, as in other countries, a year without live gigs has dealt a financial blow to music venues and musicians alike. With the online concert series Stay Live, German broadcaster ZDFkultur, together with NPO Initiative Musik and agency Turbokultur, seeks to help the defunct music scene. Producer/director Marc Schuetrumpf and colorist/editor Christopher Stoeckle of production company Neoxfilm spoke to us about why they chose ARRI Multicam to shoot the 12 live concerts, while documentary filmmaker Tobias Koppe explains why ALEXA Mini was his camera of choice for behind-the-scenes footage.
Can you describe the ARRI Multicam setup you put together for the live concerts?
Marc Schuetrumpf: We had five ARRI AMIRAs, which were used and positioned in various different ways, including on two dolly systems with curved rails and on the stage itself, in an Easyrig. This was especially advantageous for our special stage, which we placed in the middle of the audience area. It also meant that larger bands, with up to 11 performers, could be filmed in a natural way because we could move among them and they played at the same level as our camera operators.
It really elevates the footage, going beyond the standard shots you would normally see for situations like that. Even with wider focal lengths you can have a narrower depth of field, drawing the audience's attention either to the singer, or a different performer, or the mentor off to the side. That's a big difference from traditional 2/3-inch cameras, where everything is in focus and you can't shape the image. It's also much more inspiring for the camera operators, who did a really outstanding job on this project.
Combining the AMIRAs with Fujinon Cabrio zooms meant that we could quickly, but smoothly, change focal length when needed. It made it look like we had more than five cameras, and allowed us to react much faster to changing situations. All in all, ARRI Multicam gave us a very flexible, high-quality setup. Like the way movies shot on film have a certain cinematic look - I always want to achieve that, and with this system I can.
ARRI AMIRAs, used and positioned in various different ways.
Did the ARRI cameras make a difference to how you were able to light the concerts?
Marc Schuetrumpf: We tested, and its amazing how intense the lighting can be without negatively affecting the recorded image. Even powerful spotlights are rendered perfectly in the picture. For example, we had a really heavy rock band with a lot of intense flashing lights as part of their stage show, but the AMIRAs captured all of it really nicely.
Christopher Stoeckle: I have definitely noticed that with other cameras, when the intensity of the light is at its strongest, you can get a black spot in the middle of the light source. With ARRI cameras theres no such thing, and thats a huge advantage.
Performer Deine Cousine. ARRI cameras easily handled the intense flashing lights.
Marc Schuetrumpf: That wide contrast capture makes such a difference that even the viewers at home would easily recognize its value. In our camera tests, AMIRA went one or two stops further in both underexposure and overexposure. Even when the image or a spot is pushed to extremes, the colors are much better than other cameras. That was one of the reasons why I chose ARRI Multicam. I dont want to worry about lights in the frame; in fact, I want to consciously include them, and I was impressed by the results. When I look at the pictures on the screen or on TV, Im as happy as a little kid.
There was a project in the late Sixties called The Rolling Stones Rock and Roll Circus, where the whole concept was a kind of a small center stage with different bands - newcomers, friends, and rock stars playing together - filmed with 16 mm cameras. I was so happy and almost overwhelmed to bring this spirit of meeting friends and other musicians in a very special location again on stage, with an even better image quality than analog film.
We simply could not have pursued this concept with a smaller dynamic range; it allowed us to be flexible and varied. We had 12 bands, ranging from pop bands, to Las Vegas glamor with happy shining costumes, to heavy metal. And there was a different look, or genre, for each performance.
Performers Klan und MiA. The ARRI Multicam System allowed a different look for each act.
Did LUTs form a part of developing those different looks?
Marc Schuetrumpf: We recorded Log C and had a basic LUT that we developed in preproduction. Then we had two or three additional LUTs for the different genres or looks, emphasizing certain colors or adjusting the contrast. If you tweak something on the LUT, the images react immediately. The sensor is very sensitive, and thats the biggest difference between this and other popular formats or systems. ARRI Multicam has very natural color rendering - black is really black. Being able to incorporate LUTs creatively and easily is a big advantage of the system.
Christopher Stoeckle: We looked at the bands and what they were playing, and adjusted the colors accordingly. There might be more intensely saturated colors for lighter performers, and then a blue or monochrome look for heavy rock, for example. With ARRI cameras you have all the possibilities and you are not limited. The images are fast and easy to work with in the grading system, partly because footage from all the cameras is so well matched. You don't have to spend much time matching colors, which is a saving for the production.
The flexible and high-quality ARRI Multicam System in use.
Tobias - why did you choose the ALEXA Mini for your behind-the-scenes documentary?
Tobias Koppe: I shoot almost all my projects on ARRI, and the ALEXA Mini is my camera of choice. I love it, because the ProRes codecs can do more for me than the so-called Raw formats of other camera
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
06/09/2026
June 9 2026, 23:00 (PDT) Dolby and MagentaTV Bring Fans Closer to the FIFA Worl...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
Celebrates company's 80th anniversary
Rhodes have recently revealed that they will be producing a limited run of electric pianos in celebration of their...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
03/07/2026
New bundle & three Single Packs
Continuing to expand their already sizeable orchestral collection, VSL's latest release introduces three new Single Pack...
03/07/2026
Venue installs new ATC-equipped control room
LSO St Luke's, a unique music venue that also serves as the home of the London Symphony Orchestra, have rec...
03/07/2026
1 February 2023
SHARE Facebook Twitter Linkedin Email
Munich, Germany, 1st February 2023: Cinegy GmbH, the premier provider of software technology for digit...
02/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
02/07/2026
A new era in unmixing and spectral editing
The latest version of Steinberg's spectral audio-editing software has just arrived, building on the strength...
02/07/2026
Aims to simplify additive synthesis
Sine Machine is the debut launch from Melatonin, a Vienna-based developer who have spent the past six years creating wha...
02/07/2026
Products to remain fully active & supported
Following the news of Native Instruments joining the inMusic brand line-up, Academy and Emmy Award-winning visua...
02/07/2026
What you missed!
Last weekend, Saturday 27 June 2026, saw the debut of Sound On Sounds new GearExpo UK event, the largest dedicated pro-audio event to take ...
02/07/2026
Thursday 2 July 2026
Tea with Judi Dench returns to Sky Arts with legendary guest, Sir Ian McKellen
Sky today confirms Tea with Judi Dench will return this su...
01/07/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
01/07/2026
Stammering, stuttering, strangulated tones
The Crow Hill Company's latest creation promises to be the most original sound set they've produced to d...
01/07/2026
Exclusive run of limited-edition modelling pedals
Sweetwater and Andertons M...
01/07/2026
LEXINGTON, Kentucky - July 2026 -Tyler Childers' seventh and latest studio record, Snipe Hunter, is an adventurously sprawling collection of tunes that span...
01/07/2026
** MEDIA ALERT **
BLEACH Comes to Life in Los Angeles with First-of-Its-Kind...
01/07/2026
UKTV has today announced the appointment of Matt Berry to the newly created role of General Manager - Marketing, effective 1 July.
Matt will take on this senio...
01/07/2026
Sky Zero Footprint Fund-backed TV campaign featuring Deborah Meaden challenges consumers to rethink everyday bathroom wasteWednesday 1 July 2026
Fussy asks Bri...
01/07/2026
Constituency-level analysis reveals where girls miss out most on sport - and where targeted action could unlock more than £640 million in economic and health be...
01/07/2026
Wuppertal July 1, 2026
Riedel and SKAARHOJ Expand Collaboration With SimplyLive IntegrationRiedel Communications today announced an expanded collaboration wit...
01/07/2026
Apple today introduced power-packed updates to Apple Creator Studio, a groundbre...
01/07/2026
Nectar360, the Retail Media, Loyalty and Insights business of the Sainsburys Gro...
01/07/2026
9.2 million streams on RT Player between 11 and 28 June
Reach of 2.9 million viewers during Group stages of FIFA World Cup on RT 2
23 million video views acr...
30/06/2026
Could your journalism reach an international stage?
Entries are now open for the Thomson Foundation's Young Journalist Award 2026, one of the most prestigi...
30/06/2026
Brings together saturation & lo-fi effects
Following on from the release of their Voxcraft vocal-processing plug-in, UJAM have announced the launch of Retro...
30/06/2026
New IR reverb engine, Juno-inspired chorus & more
The latest version of Rapid Flow's hardware-emulation synth plug-in expands on its predecessor with a ...
30/06/2026
Excels at heavy-handed VCA compression
For their latest release, Shy Audio have recreated the crunchy' sound of a rackmount compressor that found its w...
30/06/2026
Component scarcity drives cost increases
Shortly after Apple's CEO Tim Cook acknowledged that cost increases would soon be inevitable , the company hav...
30/06/2026
Hitachi and Bank Pekao S.A. have completed the installation of the first Hitachi...
30/06/2026
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
29/06/2026
Four-layer instrument aimed at dark electronic music
Excite Audio's latest software instrument has been designed with dark drum and bass, atmospheric te...
29/06/2026
New AI Assistant, Multi-channel Audio, ARA2 improvements & more
Tracktion's DAW software has just received its latest major update, gaining a selection ...
29/06/2026
Details environmental policies & results
The Focusrite Group have just announced that following a long audit process, they have published their 2026 sustain...
29/06/2026
Arvato Systems Achieves AWS Cloud Operations Competency
The team behind the AWS Cloud Operations Competency (from left to right: Philipp Hellmich, Johanna Bod...
29/06/2026
RT today announced that Ger Gilroy will join the RT Podcasts team to present a daily sports podcast. Launching later this year, the new show will set the spor...
29/06/2026
RT Commercial announced OUTsurance as sponsor of the Oliver Callan show on RT Radio 1 from Wednesday 1 July.
Oliver Callan doubles the fun, delivering two ...
28/06/2026
Half-size model joins Console 1 line-up
Shortly after the release of their new Flow Studio controller, Softube have announced the launch of another new surf...
28/06/2026
New EXO Series DSP control software announced
EVE Audio's EXO Series monitor range has just gained a new software element that provides remote access to...
27/06/2026
Brings together saturation & lo-fi effects
Following on from the release of their Voxcraft vocal-processing plug-in, UJAM have announced the launch of Retro...
26/06/2026
Virtual session musician plug-in gains new percussion options
Celemony's latest update for their virtual session musician platform complements the exist...
26/06/2026
Half-size model joins Console 1 line-up
Shortly after the release of their new Flow Studio controller, Softube have announced the launch of another new surf...
26/06/2026
ELT Group and Rohde & Schwarz sign a cooperation agreement to explore commercial...
26/06/2026
Flicker Productions to produce five-part docu-reality series following women who have fallen for men in prison and have become TikTok sensations, with brands an...
26/06/2026
Catch up on the latest developments across Baselight and Daylight v7, Nara and F...
26/06/2026
26. June 2026 News
DFT is pleased to announce that a second Polar HQ film s...
In Germany, as in other countries, a year without live gigs has dealt a financial blow to music venues and musicians alike. With the online concert series Stay Live, German broadcaster ZDFkultur, together with NPO Initiative Musik and agency Turbokultur, seeks to help the defunct music scene. Producer/director Marc Schuetrumpf and colorist/editor Christopher Stoeckle of production company Neoxfilm spoke to us about why they chose ARRI Multicam to shoot the 12 live concerts, while documentary filmmaker Tobias Koppe explains why ALEXA Mini was his camera of choice for behind-the-scenes footage.
