
The SGAE Foundation anticipates Goya Awards with a film seriesDel 14 de enero al 11 de febrero, la Sala Berlanga en Madrid acoger la proyecci n de una veintena de los t tulos finalistas a los Premios de la Academia.
Con motivo de la 32 edici n de los galardones que concede la Academia de las Artes y las Ciencias Cinematogr ficas de Espa a, la Foundation SGAE ha organizado el ciclo Premios Goya 2018 en la Sala Berlanga (Andr s Mellado, 53 Madrid) del 14 de enero al 11 de febrero. Las entradas estar n a la venta en taquilla y en Entradas.com a un precio de 3 euros.
La muestra coincide con la celebraci n de la ceremonia de entrega de los Premios Goya prevista para el d a 3 de febrero en Madrid y ofrece una selecci n de las obras finalistas de esta temporada. En concreto: Summer 1993 de Carla Sim n; Veronica de Carlos Plaza; The secret of Marrowbone de Sergio G. S nchez; Abracadabra de Pablo Berger; Handia de Joan Gara o y Aitor Arregi Galdos; Skins de Eduardo Casanova; El bar de lex de la Iglesia; Uncertain glory de Agust Villaronga y The library de Isabel Coixet.
El ciclo, que acoge un total de 20 t tulos finalistas, tambi n incluye: I dont want to say goodbye de Lino Escalera; Die de Fernando Franco; Selfie de V ctor Garc a Le n; Love de Esteban Crespo; The call de Javier Ambrossi y Javier Calvo; Beethoven dancing de Arantxa Aguirre; Saura (s) de F lix Viscarret; Gold de Agust n D az Y nez; Cant brico, los dominios del oso pardo de Joaqu n Guti rrez Acha; The author de Manuel Mart n Cuenca y Muchos hijos, un mono y un castillo de Gustavo Salmer n.
Los candidatos a los GoyaLa gala de los Premios Goya es uno de los acontecimientos con m s repercusi n del a o, donde los profesionales de la industria encuentran su visibilidad junto con la reivindicaci n de la calidad de su trabajo. De entre las candidaturas ya publicadas, la Fundaci n SGAE ha extra do una selecci n de t tulos que descuellan en diferentes g neros y que demuestran el variado acervo que ofrece el cine espa ol.
Hay casos de directores consolidados que profundizan en su especialidad, como Paco Plaza, que con Veronica retorna al g nero de terror, o Sergio G. S nchez, guionista reiniciado en el fantastique con The secret of Marrowbone; as como cineastas que se aproximan a las mismas coordenadas: Pablo Berger con su Abracadabra, ejemplo de insolit , o Joan Gara o y Aitor Arregi Galdos y su emotivo gigante de Handia. Junto a ellos, la inclasificable Skins de Eduardo Casanova, entre el experimento narrativo y el despliegue visual de arte fe sta. Hay tambi n quienes perfeccionan su veteran a: desde la comedia negra de lex de la Iglesia con El bar, el original drama guerracivilista, Uncertain glory de Agust Villaronga, o la vertiente erudita y sensible de Isabel Coixet con The library. La reflexi n sobre la transitoriedad, las emociones y el drama ntimo y familiar han dado frutos maduros en esta temporada, como I dont want to say goodbye de Lino Escalera, Die de Fernando Franco o la sorprendente opera prima de Carla Sim n, Summer 1993. Y con Selfie, V ctor Garc a Le n prosigue con su vitri lico an lisis de nuestra sociedad, ir nico y mordaz.
A ellos se unen nuevos valores como Esteban Crespo, el pasado a o candidato al Oscar, y presente en este con su opera prima, Love. Y la comedia tambi n ofrece sus piezas divergentes, como The call de Javier Ambrossi y Javier Calvo, parodia m stica sobre base musical. La m sica ha contaminado otros g neros: es el caso de Beethoven dancing de Arantxa Aguirre, fusi n de no ficci n, danza y repertorio cl sico y ejemplo de un a o que, en el terreno del documental, ofrece desde meditados biopics, como el Saura (s) de F lix Viscarret, hasta apelaciones a la exaltaci n del medio natural Cant brico, los dominios del oso pardo de Joaqu n Guti rrez Acha- o la original y desarmante Muchos hijos, un mono y un castillo, un tour-de-force que Gustavo Salmer n realiza sobre su propia familia, con resultados tan brillantes como el del resto de las obras que componen este ciclo.
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