
ESPN Ops Team Tips Off Challenging College Hoops Season With Focus on Safety, Efficiency Innovation and flexibility are key in an effort facing myriad changes By Jason Dachman, Chief Editor
Friday, December 4, 2020 - 12:48 pm
Print This Story | Subscribe
Story Highlights
What is expected to be the most challenging college basketball season in recent memory tipped off last week with a smattering of early tournaments, and the schedule will kick into high gear later this month. Although ESPN's operations team is no stranger to the challenges of navigating the college basketball season - annually producing more than 1,200 games over seven months - the team has already faced an difficult series of challenges brought on by a list of canceled and postponed games.
There is an all-hands-on-deck mentality amongst the operations team, says Erin Orr, manager, remote operations, ESPN, as the virus continues to spread throughout the world, especially headed into the winter months. The onset of the COVID-19 pandemic has been a challenging moment in time, yet the operations team has derived innovation from necessity through advancements in workflows, skills, and routines.
With that in mind, ESPN's operations team has crafted a plan that focuses on keeping crews safe onsite and producing more games via REMI from control rooms in Bristol, CT; Charlotte, NC; and Wide World of Sports in Orlando.
Never before has such great change surrounded ESPN's college-basketball coverage, adds Orr. ESPN is committed to looking forward as a company and has supported the college-basketball operations team in designing new health and safety policies, business models, and technological efficiencies.
Ramping Up REMI: ESPN Increases Remote Production, Focuses on Safety Onsite During the 2020-21 season, the majority of ESPN's college-basketball productions will be either REMIs or productions that use ACC and SEC schools' on-campus control rooms. The standard of practice last season was about 10 full onsite productions per week; however, with increased safety protocols and a commitment to keeping staff safe and healthy, ESPN plans to have four or five onsite shows a week this season.
For onsite college-basketball productions, ESPN has instituted functional groups for its crews and requires all staff to wear masks and socially distance.
On a standard REMI production, the only positions onsite are audio, video, cameras, and operations. Talent and production personnel are handling their roles at home or in studios in Bristol, Charlotte, and Orlando. Announcers working from home leverage ESPN's Live From Home production model, which has been implemented over the past eight months and is built around Zoom, TVU, and Unity intercom tools.
The operations team [responsible for] getting college basketball on ESPN is made up of a network of groups, says Orr. However, the universal goal has always been simple: to get each game on-air in the safest and most efficient way possible. While the transparency of this goal is concrete, the means of finding efficiencies within the sport have morphed throughout time.
For onsite crews, ESPN has instituted functional groups that give the team the ability to strategically plan for each crew member who works at a game. ESPN's deliberate planning has created a more comprehensive understanding of onsite personnel and roles, which Orr says has facilitated management of each individual's functional group.
These restrictive groups mitigate unnecessary interactions onsite, she notes, which in turn allows each crew member to walk into each game knowing that their health and safety is number-one priority.
COVID Uncertainty: Ops Team Faces Ultra-short Timelines Orr adds that the biggest impact of the pandemic has been the onset of unknowns, which has resulted in initial operations planning now taking place just 10 days prior to each game.
Throughout the team's preseason preparation, the increase in communication within [the] operations [team], as well as with production, has been hugely important. The sport itself has been faced with a landscape of ever-changing information, and, as a result, the operations team aims at a moving target. The team has quickly learned that the plans laid yesterday immediately become a notion of the past.
The operations team and its production, crewing, and health and safety partners have determined to be flexible in the face of myriad changes. With game cancellations and postponements expected to be a regularity throughout this season, the ops team is focused on keeping the lines of communication as strong as possible throughout ESPN.
There is no manual on how to produce live sports during a global pandemic, Orr points out, so each group is learning and evolving with each curveball. Historically, the team has practiced adaptability in adjusting to the inevitable changes that come down the pipeline in a normal season. However, this season has inspired each group to raise the bar in terms of distributing immediate and concise communication amidst a field of ever-changing games.
Unmanned Cameras: POVs, Robos Play Big Role in Game Coverage Much time and energy has been spent individualizing the logistical planning for each venue's unique health and safety protocols. In addition, some venues allow fans to attend while others do not, and the capacity varies from one venue to another. Given all the variations, Orr says, the most challenging aspect has been mapping out camera locations while ensuring that each area maintains proper social distance.
The biggest loss in game coverage has been the elimination of on-court handheld cameras, so ESPN will lean on unmanned cameras to capture much of the on-court action. Marshall POV cameras have been added to every production to be used on the baskets for variou
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
14/05/2026
Six decades of products built around the people who use them...
14/05/2026
Designed to embrace multiple production processes and deliver high-end live broadcast workflows, Vivid Broadcast has combined Calrec True Control 2.0 enabled co...
14/05/2026
Today, Jigsaw24, the UK's leading media equipment supplier and systems integrator, announces a new partnership with EVS, a global leader in live video techn...
14/05/2026
Transforming bold ideas into market-ready productions: Digital Originals returns 14 May 2026
Top (L-R): Bronte Gosper (Musket), Mema Munro (Rogue One), Nathan ...
14/05/2026
Berklee Convenes Leaders in AI, Music for Inaugural AIMS Symposium The three-day event puts musicians at the center of the future of music creation, ethics, a...
14/05/2026
Back From The Brink airs Sunday 17 May and Sunday 24 May at 6.30pm on RT One an...
14/05/2026
Dive masks on - Subnautica 2 is making a splash on GeForce NOW day-and-date with launch, so members can plunge into the title's brand-new alien ocean from a...
13/05/2026
New Adobe Premiere Color Grading Mode Accelerated on NVIDIA GPUs
Joel Pennington May 13, 2026
0 Comments
New NVIDIA RTX-accelerated features streamlin...
13/05/2026
Grass Valley announced that dB Broadcast has delivered new IP-based outside broadcast (OB) trucks for Cloudbass, featuring Grass Valley LDX 100 Series cameras a...
13/05/2026
Ikegami will exhibit the latest additions to its wide range of broadcast production cameras, control units, viewfinders and monitors on stand 5D3-1 at Broadcast...
13/05/2026
FISE, working with the founding members of the XR Sports Alliance (XRSA), Accedo, Qualcomm Technologies, Inc. and HBS, have collaborated to develop an immersive...
13/05/2026
Canon Unveils New EOS R6 V Full-Frame EOS Camera and RF20-50mm F4 L IS USM PZ Bu...
13/05/2026
Boston Conservatory at Berklee Honors Beth Morrison and Moses Pendleton at Comme...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
13/05/2026
Creative software developer Foundry today announced the latest developments on Nuke Stage. A purpose-built application for end-to-end virtual production and in-...
13/05/2026
A definitive portrait of one of Ireland's most influential musicians
New TV documentary airs Monday 18 May on RT One and RT Player at 9.35pm
Watch the...
13/05/2026
Agentic AI is changing the way users get work done. Following the success of OpenClaw, the community is embracing new open source agentic frameworks. The latest...
13/05/2026
Reinforcement-learning agents - AI systems that learn by trial and error - can c...
12/05/2026
Beyond the Hype: A Strategic Post-Hoc Analysis of NAB 2026 If NAB Show 2026 had an underlying theme, it was a quiet, industry-wide pivot from the high-energy sp...
12/05/2026
Guntermann and Drunck (G&D), a Panoptec Technologies Group company, and CT Square, led by Chandresh Shah, have announced a joint venture to distribute G&D and V...
12/05/2026
With 30 days until the start of the FIFA World Cup 2026, Telemundo, the exclusive Spanish-language home of the tournament in the United States, has announced th...
12/05/2026
The NHL has announced the return of Stanley Pup for its third consecutive year, a 90-minute special featuring adoptable rescue dogs competing on a miniature rin...
12/05/2026
NBCUniversal presented its 2026 Upfront to advertisers at Radio City Music Hall, detailing upcoming programming across NBC, Peacock, Bravo, and Versant properti...
12/05/2026
FOX Sports has announced funding for the Fandom and Social Connection Initiative at Harvard Kennedy School's Shorenstein Center on Media, Politics, and Publ...
12/05/2026
TNDV and Live Media, both divisions of Live Media Group, supported live broadcast coverage around NCAA Final Four weekend in Indianapolis, including the March M...
12/05/2026
The European Football Alliance (EFA) has announced a content distribution agreement with Fubo Sports Network, the free ad-supported streaming TV (FAST) channel ...
12/05/2026
For the first time, Spanish-speaking fans in the U.S. will have two separate tel...
12/05/2026
CP Communications led a comprehensive spectrum management initiative on behalf of Churchill Downs during Kentucky Derby week, coordinating RF assets across the ...
12/05/2026
LiveU has announced a strategic partnership with DRONERESPONDERS, a 501(c)3 non-...
12/05/2026
Open Broadcast Systems has announced that BMC TV, a specialist in IP transport of broadcast content, has selected the Open Broadcast Systems 5G Flyaway solution...
12/05/2026
NEP Europe, part of NEP Group, has announced it will deliver broadcast solutions...
12/05/2026
Grass Valley has announced continued collaboration with Ravensbourne University ...
12/05/2026
Stats Perform has announced the launch of Opta Pulse, an AI-assisted video creation and distribution platform for leagues, rights holders, and broadcasters. The...
12/05/2026
FOX Sports has announced a collaboration with Sesame Workshop to integrate Sesame Street characters into FOX Sports' FIFA World Cup 2026 programming. Conten...
12/05/2026
To date, NHL Productions has produced 19 broadcasts with commentary in American Sign Language
NHL in ASL (American Sign Language) may be just one show, but the...
12/05/2026
Google's Brian Albert: creators, athletes, highlights, nostalgia, second-scr...