
As podcasting continues to evolve, growth increasingly means building beyond audio. Creators are expanding into video, merch, and live events, finding new ways to deepen listener relationships and bring audiences together. One clear example is the paranormal-comedy podcast Let's Get Haunted.
Hosted by best friends Alyssa Terry and Natalia Strawn, the show has built a devoted fanbase-affectionately known as the Haunties -around a shared love of the spooky and the absurd. Last year, the podcast joined Spotify's 2025 RADAR creators class, our global program designed to help emerging creators reach new audiences.
That support helped pave the way for a new milestone: the show's first-ever live taping, recently recorded in front of about 120 fans at Spotify Studios in Los Angeles. The episode is now streaming on Spotify, offering a snapshot of the community they've built.
To mark the occasion, For the Record caught up with Nat and Aly for a joint Q&A about the show's evolution, their live debut, and what's next.
For anyone hearing about Let's Get Haunted for the first time, how would you describe the show? It started as a tongue-in-cheek response to the horrors of everyday life. We take turns deep diving into paranormal topics-ghost encounters, alien abductions, cursed objects-with the assumption that each story is true. Our goal is to give the audience a chance to suspend their disbelief and tap into a sense of childlike wonder.
We also have a broad definition of haunted. Did you get three flat tires in a month, hunt down the person who stole your credit card instead of calling your bank like a normal person, or rescue a possum on the side of the highway and crowdfund its femur surgery? Congrats, you're haunted! (These are all things that have really happened to us.) We try to match the chaos of the hauntings in our personal lives with the tales we select for the storytelling portion of the show.
How has the podcast changed since you first launched it? And how have your listeners helped shape where it's gone? Our podcast has always been very community-based. We use listener surveys to get feedback at the end of every season, then have a meeting where we go over that feedback and figure out which suggestions are feasible for us to incorporate.
When we first started the pod, we were living on opposite ends of Los Angeles and would scramble to find places to record that were roughly in the middle. We've recorded in bathrooms, cars, empty office buildings, and anywhere we could find.
In 2023, thanks to the generosity of our audience, we were finally able to sublease an office space. Having a stable place to record was a total game changer: It allowed us to increase the number of episodes we were putting out, create vlogs, produce and store merch, and organize fan meet-ups. We literally would not exist without the support of our listeners.
Your first live taping was a big milestone. What did that moment feel like for you? It was absolutely surreal! We were so nervous going into it, but as soon as we parked at the venue we immediately ran into two Haunties who had arrived three hours early to be first in line. Knowing we were walking into something brand new with the support of the people who've been with us since the beginning made us feel so much more at ease.
What do you think it is about the show that translates so well to live and in-person experiences? We always joke that the first time you listen, you're probably going to hate us. But if you stick around, eventually we'll Stockholm Syndrome our way into your heart. We inject so much of ourselves into our show, sharing not just entertaining ghost stories, but also the highs and lows of our personal lives. If you can handle us talking about our worst breakups and Abraham Lincoln's ghost train at the same time, we're bonded for life.
This back-and-forth with the audience carries over well into our live events. We incorporate callbacks to previous episodes and inside jokes so everyone can feel like they're participating along with us.
You're also expanding into video and other formats. What's exciting to you about building Let's Get Haunted beyond audio? Yes! We were an audio-only podcast up until last year when we started incorporating video. We're constantly trying to push ourselves to do things outside of our comfort zone so we don't get stagnant. Video has opened up a whole new layer of storytelling for us, especially when it comes to visual gags, reactions, and bringing our personalities to life in a way that audio alone can't always capture.
How do you think about balancing what longtime fans love with trying new things? Oof, it's hard to always get this right. Ultimately, it's important to remember that nobody putting out content would exist without their audience. So, we have to take our longtime listeners' feedback seriously or it's a disservice to the community we've worked so hard to build. At the same time, we want to take risks and push ourselves to try new ideas from time to time to keep things fun and fresh. This is where being open and honest with the audience helps strike that balance: If we're trying something new, we'll explain why we're doing it.
As RADAR creators, how has being part of the program helped support your growth? We are so incredibly grateful to be in Spotify's 2025 RADAR class. It's led to so many new experiences, from getting our own billboard in New York City to our first live show. As indie creators, having a huge company back you in such a public way is very validating. After being told we were too small for years, we feel like the RADAR program has given us the chance we've been waiting for.
View this post on Instagram
A post shared by Let's Get Haunted
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
06/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
06/04/2026
From high school sports all the way up to the major leagues, building high-quali...
06/04/2026
Quickplay, an AI company for the media and entertainment industry, has been accepted into the Advanced tier of the TwelveLabs Ecosystem Partner Program. Quickpl...
06/04/2026
Grass Valley has announced the Future Playmakers Program, a global initiative to...
06/04/2026
El l der de operaciones impulsa la producci n en estudio mientras encuentra insp...
06/04/2026
The ops leader helps lead the charge in studio for the Spanish-language broadcas...
06/04/2026
Behind The Mic provides a roundup of recent news regarding on-air talent, includ...
06/04/2026
The National Hockey League (NHL), in partnership with Verizon and the New Jersey Devils, today announced the opening of the NHL Innovation Lab powered by Verizo...
06/04/2026
Rock League, a new professional curling league, has announced that ESPN+ will stream its inaugural 2026 season for fans in the United States. The first Rock Lea...
06/04/2026
Advanced Systems Group has announced the appointment of Andrea (Andy) Cummis as Vice President of Systems Design and Engineering. In this role, she will lead de...
06/04/2026
Backed by Bolt Ventures, the venture brings Bryson DeChambeau, Grant Horvat, and...
06/04/2026
With this environment we can start that collaboration even earlier because we ca...
06/04/2026
Like the immortal lives of vampires, some stories never really end. That's t...
06/04/2026
As podcasting continues to evolve, growth increasingly means building beyond aud...
06/04/2026
Multiband dynamics plug-in enhanced
California-based developer FSK Audio have released a significant update for their innovative multiband dynamics processo...
06/04/2026
Share official & user-created full-rig presets
IK Multimedia's latest TONEX update makes it possible for users of the popular amp and effects modelling ...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
06/04/2026
Dalet Showcases Dalia Agentic AI and End-to-End Media Workflows at NAB Show 2026
Brie Clayton April 6, 2026
0 Comments
Dalet, a leading technology and...
06/04/2026
OpenDrives Shows Off Sports Expertise in Sports Business Hub located in NAB Show...
06/04/2026
Proton to Demonstrate 3D Application at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Yet further creative potential unleashed through innovation in ...
06/04/2026
Autoscript Highlights Voice-Driven Prompting and PTZ Solutions at NAB 2026
Brie Clayton April 6, 2026
0 Comments
Experience Autoscript Voice, PTZ prom...
06/04/2026
Mediaproxy Highlights Significant Enhancements to its LogServer suite at NAB Sho...
06/04/2026
Wayne, N.J., April 6th, 2026 Phantom High-Speed announces the release of PCC 4...
06/04/2026
April 6th, 2026
TRIBECA STUDIOS AND LILLY ANNOUNCE WINNERS OF INAUGURAL VITAL...
06/04/2026
Back to All News
Netflix Expands Kids Entertainment Lineup With Playground App ...
05/04/2026
Tackles all reported bugs!
SoundBridge have just announced the launch of a new update that introduces a couple of minor changes to their remote collaboratio...
04/04/2026
The University of Arizona's Men's Basketball team has only loss twice th...
04/04/2026
1080p HDR arrives, a new generation of storytelling tools takes center stage, an...
04/04/2026
Michigan legends bring a new voice to the broadcast as TNT Sports and CBS Sports...
04/04/2026
Faster, cleaner and more intuitive than ever
The control software for Flock Audio's digitally controlled patchbay systems has just been treated to an up...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
04/04/2026
DHD Introduces AI-Based Audio Noise Reduction to XD3 IP Core
Brie Clayton April 3, 2026
0 Comments
The accompanying image shows the rear panel of the ...
04/04/2026
Macnica Redefines ST 2110 Flexibility with Two Speeds on One Card
Brie Clayton April 3, 2026
0 Comments
New for NAB Show 2026, MEP100 SmartNIC now sup...
04/04/2026
Unified Media Workflows for Story-Centric Production
Brie Clayton April 3, 2026
0 Comments
Framelight X unifies field capture, editing and publishing ...
03/04/2026
Michigan's Fab Five will reunite for an alternate presentation of the Mich...
03/04/2026
Avid will exhibit at NAB Show 2026 (April 18-22, Booth N2226, Las Vegas Convention Center), demonstrating its Content Core platform and new AI-driven workflow c...
03/04/2026
Mark Roberts Motion Control (MRMC) has announced the appointment of Nick Barthee as Chief Operating Officer.
The announcement follows MRMC's transition fro...
03/04/2026
Interra Systems has announced that Elite Media Technologies has selected its BATON file-based QC solution for media workflows. Elite Media Technologies speciali...
03/04/2026
Ateme has announced that Moldtelecom has deployed Ateme technologies across its streaming workflow, covering encoding, delivery, operations, and analytics.
Mol...
03/04/2026
Grass Valley will demonstrate Framelight X, its content management platform, at NAB Show 2026. The platform connects capture, ingest, editing, and publishing in...
03/04/2026
Encompass Digital Media and Techex have announced a cloud-native Master Control ...