Director Yuval Adler's Sympathy for the Devil is a road movie designed to subvert expectations. The story depicts one extremely long night for one sorely unsuspecting man (Joel Kinnaman) who's forced to drive a gun-wielding maniac (Nicolas Cage) through the neon-clad streets of Las Vegas. Cinematographer Steven Holleran was tasked with capturing the nighttime tour of Sin City's darkest corners, placing viewers inside the car's claustrophobic confines. In this Q&A, he outlines his creative approach and technical solutions, which included shooting with Panaspeed optics sourced from Panavision Woodland Hills.
Panavision: How would you describe the look of Sympathy for the Devil?
Steven Holleran: Sympathy is a surrealist pop-nightmare thriller set on the forgotten edges of Vegas. It's got melancholy and rage fighting for space in front of the lens. We're exploring the in-betweens of good and bad, truth and lies, past and present, right and wrong both in the script and with the cinematography. It has upside-down, head-turning relativity at its heart, with who is good and what is true coming into question, and so the film's look leans into asking these questions of the audience subjectively through composition, movement and color choice.
Did any particular visual references provide inspiration during preproduction?
Holleran: Modern fine-art photography was a starting point for me, photographers like Henri Prestes and Christophe Jacrot who work heavily with surrealistic, hazy textures. I wanted there to be something akin to a soft veil across the image, as if we were in a nightmare upside-down world. The other reference was Las Vegas' Neon Museum, which is a great boneyard of old neon lights from the city. Walking the museum at night was a wonderful playground for color inspiration, say the way primaries fade and turn strange with time. Then ultimately, it's the themes in the film that have the final say.
What brought you to Panavision for this project?
Holleran: No two movies are the same, and so my approach to cinematography is rarely static and always evolving. Panavision has proven to be a wonderful place for optical discovery, which I find to be so critical to putting a distinct stamp on the image as cameras continue to develop and see farther into the shadows and highlights. It's like working with the world's greatest sommeliers when you're looking for a specific feeling out of a wine but you've never tasted it before. That's the magic of Panavision.
What considerations went into your choice to shoot with Panaspeed lenses?
Holleran: Often when choosing lenses, I start with two sets of parameters which don't overtly align. On Sympathy, my first set of needs were lenses that were fast, lightweight, and had a range that leaned towards the wide side. This instantly cut out a large chunk of glass, much of it vintage, some modern. Then I wanted a specific creative look, for instance a set of glass that bloomed the highlights, had heavy halation, lifted blacks, with a cat-eye effect. Those prerequisites didn't already exist together or were not readily available, so we turned to the modern Panaspeeds for their customizability, so we could tune' a look into a set of lenses that matched my technical specs.
How does Sympathy for the Devil compare to other projects you've shot?
Holleran: This film was a tightrope walk a car movie to be shot nearly entirely in an LED volume. It's rare to do a film set in a car; it's even more rare to do a car movie on a volume, particularly at night on desert roads. So there were a lot of firsts requiring a high amount of research, experimentation and testing running simultaneously during production. In some ways we were fielding two productions at once, shooting everything that happens outside of the car while testing plates in volume, knowing we'd need it all to match what we were going to do during the last week with the car on stage. Luckily I've grown comfortable with being off the edge of the cinematic language, and technology continues to be at the forefront of my work and the direction of the cinematography industry as a whole and there I feel at home.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
01/04/2026
January 4 2026, 18:00 (PST) DOLBY AND DOUYIN EMPOWER THE NEXT GENERATON OF CREATORS WITH DOLBY VISION
Douyin Users Can Now Create And Share Videos With Stun...
07/01/2026
SVG Summit 2025: All General Sessions Now Available to Watch on SVG PLAYThe SVG Summit celebrated its 20th edition with a loaded agendaBy Brandon Costa, Directo...
07/01/2026
NBCU's Brings Rinkside Live' and Courtside Live' Features to Peaco...
07/01/2026
Spotify is launching a week-long celebration spotlighting creators at the center...
07/01/2026
We know people use Spotify not just to listen, but to share the songs, podcasts, and audiobooks they love with their friends and family. When we launched Messag...
07/01/2026
This week, all eyes are on the podcast industry as the Golden Globes recognizes ...
07/01/2026
Podcasts are stepping onto a new stage this week as the Golden Globes recognize the medium for the first time. To mark this milestone moment, we're hosting ...
07/01/2026
The National Film and Video Foundation (NFVF), in collaboration with a distributor, is commissioning new micro-budget fiction feature films and invites eligible...
07/01/2026
NASA's Space Launch System rocket carrying the Orion spacecraft launches on the Artemis I flight test, Wednesday, Nov. 16, 2022, from Launch Complex 39B at ...
07/01/2026
For the first time ever, new C' variants allow international users to interoperate with U.S. personnel via NSA-certified cryptography....
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
07/01/2026
Abu Dhabi, UAE 7, January 2026 - Abu Dhabi Police and Space42 (ADX: SPACE42), ...
07/01/2026
Back to All News
The Trailer of Paparazzi King: The 5-Episode Docuseries Coming...
07/01/2026
Back to All News
Netflix Supports Warner Bros. Discovery Board's Commitment...
07/01/2026
Back to All News
What Next? Netflix Reveals Series, Films and Games Coming in 2026
Entertainment
07 January 2026
Global
Link copied to clipboard
Download ...
07/01/2026
AI has transformed retail and consumer packaged goods (CPG) operations, enhancin...
06/01/2026
Peacock Bringing Dolby Vision and Dolby Atmos to Live Sports ContentPeacock is the first streamer to embrace Dolbys full suite of advanced picture/sound innovat...
06/01/2026
SVG Europe Audio: Listening to the sounds of powder and ice at Milano Cortina wi...
06/01/2026
Quintar Meta Spatial SDK Integration Promises Next-Level XR ExperiencesBy Ken Kerschbaumer, Editorial Director
Tuesday, January 6, 2026 - 9:41 am
Print This...
06/01/2026
Milano Cortina 2026: BBC Sport Previews Broadcast Ops, Studio Setup, Social Medi...
06/01/2026
Dolby's Jason Power on Elevating Live Sports Through Immersive Audio and HDR...
06/01/2026
DAZN's Global CRO Walker Jacobs on the Streamer's Breakout Year in the U...
06/01/2026
California Dreamin': LA28's SVP of Media Jim Bell Previews the Olympic a...
06/01/2026
One Month Out From Winter Olympics Opening Ceremony, NBC Sports in Final Prep fo...
06/01/2026
Advanced HDR by Technicolor and Zinwell Integrated onto ATSC 3.0 Conversion Boxe...
06/01/2026
Fox Sports President and COO Mark Silverman Shifts to Consulting RoleBy Ken Kerschbaumer, Editorial Director
Tuesday, January 6, 2026 - 2:37 pm
Print This S...
06/01/2026
Spotify is launching a week-long celebration spotlighting creators at the center...
06/01/2026
Lorde. A$AP Rocky. JENNIE. Baby Keem. KATSEYE. That's just a taste of who...
06/01/2026
In a live broadcast, L3Harris CFO and Missile Solutions President Ken Bedingfield joined Morgan Brennan on CNBCs Closing Bell: Overtime. Bedingfield discussed...
06/01/2026
First-of-its-kind SSP capability delivers program-level insight and brand suitab...
06/01/2026
Share Share by:
Copy link
Facebook
X
Whatsapp
Pinterest
Flipboard...
Director Yuval Adler's Sympathy for the Devil is a road movie designed to subvert expectations. The story depicts one extremely long night for one sorely unsuspecting man (Joel Kinnaman) who's forced to drive a gun-wielding maniac (Nicolas Cage) through the neon-clad streets of Las Vegas. Cinematographer Steven Holleran was tasked with capturing the nighttime tour of Sin City's darkest corners, placing viewers inside the car's claustrophobic confines. In this Q&A, he outlines his creative approach and technical solutions, which included shooting with Panaspeed optics sourced from Panavision Woodland Hills.
