Director Yuval Adler's Sympathy for the Devil is a road movie designed to subvert expectations. The story depicts one extremely long night for one sorely unsuspecting man (Joel Kinnaman) who's forced to drive a gun-wielding maniac (Nicolas Cage) through the neon-clad streets of Las Vegas. Cinematographer Steven Holleran was tasked with capturing the nighttime tour of Sin City's darkest corners, placing viewers inside the car's claustrophobic confines. In this Q&A, he outlines his creative approach and technical solutions, which included shooting with Panaspeed optics sourced from Panavision Woodland Hills.
Panavision: How would you describe the look of Sympathy for the Devil?
Steven Holleran: Sympathy is a surrealist pop-nightmare thriller set on the forgotten edges of Vegas. It's got melancholy and rage fighting for space in front of the lens. We're exploring the in-betweens of good and bad, truth and lies, past and present, right and wrong both in the script and with the cinematography. It has upside-down, head-turning relativity at its heart, with who is good and what is true coming into question, and so the film's look leans into asking these questions of the audience subjectively through composition, movement and color choice.
Did any particular visual references provide inspiration during preproduction?
Holleran: Modern fine-art photography was a starting point for me, photographers like Henri Prestes and Christophe Jacrot who work heavily with surrealistic, hazy textures. I wanted there to be something akin to a soft veil across the image, as if we were in a nightmare upside-down world. The other reference was Las Vegas' Neon Museum, which is a great boneyard of old neon lights from the city. Walking the museum at night was a wonderful playground for color inspiration, say the way primaries fade and turn strange with time. Then ultimately, it's the themes in the film that have the final say.
What brought you to Panavision for this project?
Holleran: No two movies are the same, and so my approach to cinematography is rarely static and always evolving. Panavision has proven to be a wonderful place for optical discovery, which I find to be so critical to putting a distinct stamp on the image as cameras continue to develop and see farther into the shadows and highlights. It's like working with the world's greatest sommeliers when you're looking for a specific feeling out of a wine but you've never tasted it before. That's the magic of Panavision.
What considerations went into your choice to shoot with Panaspeed lenses?
Holleran: Often when choosing lenses, I start with two sets of parameters which don't overtly align. On Sympathy, my first set of needs were lenses that were fast, lightweight, and had a range that leaned towards the wide side. This instantly cut out a large chunk of glass, much of it vintage, some modern. Then I wanted a specific creative look, for instance a set of glass that bloomed the highlights, had heavy halation, lifted blacks, with a cat-eye effect. Those prerequisites didn't already exist together or were not readily available, so we turned to the modern Panaspeeds for their customizability, so we could tune' a look into a set of lenses that matched my technical specs.
How does Sympathy for the Devil compare to other projects you've shot?
Holleran: This film was a tightrope walk a car movie to be shot nearly entirely in an LED volume. It's rare to do a film set in a car; it's even more rare to do a car movie on a volume, particularly at night on desert roads. So there were a lot of firsts requiring a high amount of research, experimentation and testing running simultaneously during production. In some ways we were fielding two productions at once, shooting everything that happens outside of the car while testing plates in volume, knowing we'd need it all to match what we were going to do during the last week with the car on stage. Luckily I've grown comfortable with being off the edge of the cinematic language, and technology continues to be at the forefront of my work and the direction of the cinematography industry as a whole and there I feel at home.
Europe Stories
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
Against that backdrop, IAB UK has added retail media to its Gold Standard. Jan Pitt, Commercial Director at ABC, spoke with Liv McCullagh, Retail Media Lead at ...
15/05/2026
Further to RT 's statement released yesterday and in the interest of full transparency, with the full permission of Derek Mooney, we are now publishing the ...
14/05/2026
At Spotify, we're focused on making every listening experience feel intentio...
14/05/2026
Spotify recently welcomed songwriters, artists, executives, and music students t...
14/05/2026
New articulations, ostinatos, Motion Scoring Articulation Sets & more
Sonuscore's flagship cinematic string library has just been treated to a significa...
14/05/2026
World-class studio opens on T rkiye's Aegean coast
P r Recording & Residence have announced their official opening, introducing a new world-class reside...
14/05/2026
Now supports channel layouts up to 9.1.6
Nugen Audio have just released an update for their AI-powered dialogue intelligibility and compliance tool. Set to ...
14/05/2026
New recordings & one-key chord tool
UVI have just announced the release of Orchestral Suite 2, a ground-up redesign of their all-in-one symphonic orchestra ...
14/05/2026
Two new arrivals & expanded factory content
Rob Papen's all-encompassing plug-in and virtual instrument collection has just been treated to another upda...
14/05/2026
Embed QR codes into DAW sessions
FSK Audio's latest plug-in doesn't process audio, but serves as an organisational tool that allows QR codes to be e...
14/05/2026
Rohde & Schwarz transforms spectrum complexity into situational awareness and ef...
14/05/2026
Rohde & Schwarz and Quantum Systems join forces to redefine EW and C-UAS-enabled...
14/05/2026
Rohde & Schwarz showcases STANAG aligned ARDRONIS Counter UAS capability at NATO...
14/05/2026
Code of Silence has won the BAFTA for Best Drama Series at Sunday night's ceremony at the Royal Festival Hall.
The series, starring Rose Ayling-Ellis and w...
14/05/2026
Vivid Broadcast was embracing remote production long before it became the industry norm. Now, with Calrec's True Control 2.0-enabled Argo M and Type R conso...
14/05/2026
Comscore Reports First Quarter 2026 ResultsRESTON, Va., May 14, 2026 Comscore, Inc. (Nasdaq: SCOR), a trusted partner for planning, transacting and evaluating...
14/05/2026
RT is today publishing the earnings of its top 10 highest-earning presenters for 2025, ahead of the publication of RT 's Annual Report 2025 later this year...
14/05/2026
What can I watch on UKTV and stream on U this week?
This week on UKTV and the free streaming service U, viewers can watch a range of new and returning programm...
14/05/2026
The high-stakes chase thriller from Oscar- and BAFTA-nominated writer Matt Charm...
14/05/2026
Back From The Brink airs Sunday 17 May and Sunday 24 May at 6.30pm on RT One an...
13/05/2026
13 May 2026
VEON Delivers Strong Start to 2026 1Q26: Revenue 17.0%, EBITDA 17...
13/05/2026
Thousands of props donated from Skys longest-running original seriesWednesday 13 May 2026
How a neon windmill from A League of Their Own ended up in a dogs'...
13/05/2026
SAN JOSE, Calif. - May 13, 2026 - Harmonic (NASDAQ: HLIT) today announced that I...
13/05/2026
A definitive portrait of one of Ireland's most influential musicians
New TV documentary airs Monday 18 May on RT One and RT Player at 9.35pm
Watch the...
12/05/2026
Spotify is where fans and artists come together, turning discovery into somethin...
12/05/2026
Features patented Marco-MMC clocking technology
Black Lion Audio's latest release combines the company's expertise in clocking with their renowned p...
12/05/2026
New Track Panel, sequencer upgrades & more
Following their recent public beta release, Reason Studios have announced the full release of Reason 14. With the...
12/05/2026
Rohde & Schwarz presents its advanced solutions for power electronics testing at...
12/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, has developed a modified fund raising p...
12/05/2026
FOX Announces Schedule for 2026-27 Season FOX'S POWERFUL NEW SERIES PIPELINE FUELS A BREAKOUT SEASON WITH RETURNING HITS AND BOLD NEW STORYTELLING ACROSS ...
12/05/2026
Customer demand for data continues to grow in the first quarter of 2026 at Magya...
12/05/2026
The latest drama underscores Sky's continued investment in regional production and Welsh creative talent.Tuesday 12 May 2026
Wales takes the spotlight in S...
11/05/2026
As Eurovision fans gear up to celebrate the 70th anniversary of the iconic song ...
11/05/2026
Pela primeira vez na hist ria, o Brasil figura entre os oito maiores mercados de...
11/05/2026
New desktop instrument focused on tactile performance
Bastl Instruments have announced the Kalimba, a new desktop instrument that combines physical modellin...
11/05/2026
Compact sampling workstation gains new features
1010music have announced the blackbox 2, a new version of their compact standalone sampler designed for DAWl...
11/05/2026
Performance-focused sequencer with microtonal control
Berlin-based KOMA Elektronik have announced Monoplex, a new 42HP Eurorack sequencer designed for hands...
11/05/2026
Boasts wireless control from mobile devices
The latest iteration of IK Multimedia's compact amp and effects modelling pedal expands on the capabilities ...
11/05/2026
Spans traditional orchestral and experimental sounds
Sonora Cinematic have recently released the third instalment in their Transfigured Orchestra series, de...
11/05/2026
Our exhibition coverage
Watch all our SUPERBOOTH 2026 video coverage in one place. Check back to this page regularly as we will be updating with more video ...
11/05/2026
aconnic AG (ISIN: DE000A0LBKW6), Munich, is participating in the Equity Forum Ge...
11/05/2026
Bounteous Acquires Cartesian to Accelerate Enterprise AI
May 11, 2026
Business Assurance
News
Acquisition enhances deep data and analytics capabil...
11/05/2026
11 May 2026
VEON Shareholders Re-elect Board and Chairman, Reaffirming Confiden...
11/05/2026
Fox Corporation Reports Third Quarter Fiscal 2026 Financial Results NEW YORK, NY, May 11, 2026 - Fox Corporation (Nasdaq: FOXA, FOX; FOX or the Company ) t...
Director Yuval Adler's Sympathy for the Devil is a road movie designed to subvert expectations. The story depicts one extremely long night for one sorely unsuspecting man (Joel Kinnaman) who's forced to drive a gun-wielding maniac (Nicolas Cage) through the neon-clad streets of Las Vegas. Cinematographer Steven Holleran was tasked with capturing the nighttime tour of Sin City's darkest corners, placing viewers inside the car's claustrophobic confines. In this Q&A, he outlines his creative approach and technical solutions, which included shooting with Panaspeed optics sourced from Panavision Woodland Hills.
