It's a streaming world-and streaming services have their own audio standards with respect to LUFS and True Peak levels. LUFS is not the same as peak or average loudness. Instead, it measures perceived sound levels. In theory, if two songs have the same LUFS readings-whether it's Billie Eilish whispering or hardcore 1999 Belgian techno-you won't feel the need to get up and adjust the volume.
True peak measures the peak value after D/A conversion, which can be higher than the peak value prior to D/A conversion. Having a peak value below 0 minimizes the chance of distortion when transcoding a WAV file into a data-compressed format. For more about LUFS, see Understanding LUFS, and Why Should I Care?
The Easy Song Level Matching tip tells how to use the Tricomp and Limiter to match song levels in a collection of songs or an album, and it remains viable. However, if you've already mastered your songs the way you like, Studio One version 5.5 has added an export function to the Digital Release menu that can export your songs to any LUFS and true peak level you want. What's more, it includes presets for all the most popular streaming services (fig. 1).
Figure 1: To meet the specs for particular streaming services, simply choose a preset, and export. Here. YouTube has been chosen.
Another convenient aspect is that once you release the drop-down menu, you can see a particular streaming service's recommended specs (fig. 2). This is also where you can specify custom settings for LUFS and True Peak.
Figure 2: Choosing a streaming service shows its desired file specs. This shows that Spotify wants files with a max loudness of -14.0 LUFS, and Max true peak of -1.0 dB.
Let's do a real-world test to check the effectiveness. Consider two songs in the Project Page, one at -6.8 LUFS with a true peak reading of +0.7, and the other at -12.2 LUFS with a true peak reading of +0.1 (fig. 3). We'll export them to Spotify's standard mode, which wants -14.0 LUFS and -1.0 true peak, and then load them back into the Project Page to see what happens.
The -6.8 LUFS file had to be turned down a lot to hit -14.0 perceived level. Turning down the level lowers the true peak reading; in this case, it ended up at -6.5. The -12.2 LUFS file didn't need to be turned down much at all to hit -14.0 LUFS, and its true peak reading is now -1.7. When played back, even though the waveform levels look very different, they sound like they're at the same level.
However, it's important to note that this process won't raise the level if the peaks already hit 0. For example, if one of the files was normalized and its LUFS reading was -15.0, it wouldn't have increased to -14.0 LUFS because that would have required processing (e.g., limiting) to raise the level. Otherwise, any peaks would have exceeded the headroom.
The export function simply does what most (but not all) streaming services do-turn down levels above the target LUFS to reach the desired LUFS reading. This makes sense, because the main reason streaming services adopting LUFS targets was to prevent songs that were mastered hot from having a level advantage over songs mastered with more reasonable (and more listenable) dynamics.
Figure 3: The two files on the left are the original files. The versions on the right now have LUFS readings of 14.0.
Finally, you don't have to master everything to hit a specific service's specifics, because this new Studio One function does it for you. Master the music so it sounds good to you-go ahead and compress that rock track, or maximize an EDM set. If it has the right sound but its LUFS reading is -9 or whatever, don't worry about it. When you export it to a specific target, the song will meet that service's specs.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
02/05/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
01/05/2026
January 5 2026, 18:30 (PST) NBCUniversal's Peacock to Be First Streamer to ...
21/04/2026
Cloud-based production isnt going anywhere, and BitFire is doubling down by prov...
21/04/2026
The topic of artificial intelligence has a stranglehold on the sports-video-prod...
21/04/2026
5G is still a hot topic in live event production, and this workflow continues to...
21/04/2026
At the 2026 NAB Show, Ed McGivern, GM and President of Appear US, discusses the ...
21/04/2026
Studio Network Solutions (SNS) has announced an on-premise AI suite designed for...
21/04/2026
Suite Studios has integrated its file-streaming technology into the newly announced Frame.io Drive, a desktop application from Adobe company Frame.io. The colla...
21/04/2026
Net Insight has integrated InSync Technology's FrameFormer into the Nimbra E...
21/04/2026
Fox Sports has selected Appear as a technology partner to support the next phase...
21/04/2026
Diversified has appointed Tyler Affolter as Chief Revenue Officer (CRO) to lead the company's commercial organisation. The appointment follows the firm'...
21/04/2026
Layercake has formalised the integration of Bitmovin's video streaming infra...
21/04/2026
The International Judo Federation (IJF) has extended its distribution partnershi...
21/04/2026
Glookast has launched the Cinnafilm Tachyon plugin for its Media Producer and Me...
21/04/2026
Eutelsat has entered into an agreement with Cadena Tres, a division of Grupo Ima...
21/04/2026
Dolby Laboratories and TV Azteca have partnered to introduce Dolby Atmos immersive audio to free-to-air television broadcasts. The implementation utilises the A...
21/04/2026
FOX Entertainment partnered with Verizon to overcome significant production hurd...
21/04/2026
Osprey Video has announced its technology showcase for the NAB Show 2026, highli...
21/04/2026
Riedel Communications (Booth C4908) introduced a range of new solutions at NAB S...
21/04/2026
The NAB Show is in full swing, and the SVG and SVG Europe editorial teams are chasing down the hottest stories from all over the Las Vegas Convention Center. He...
21/04/2026
Blackmagic Design has announced the URSA Cine Immersive 100G, an immersive cinem...
21/04/2026
Clark Wire & Cable is continuing its evolution from cable supplier to full-scale solutions partner for broadcast and live production. At the 2026 NAB Show, we s...
21/04/2026
Rashad Frett attends the 2025 Sundance Film Festival premiere of Ricky at Eccles Theatre on January 24, 2025, in Park City, UT. (Photo by George Pimentel/Shut...
21/04/2026
Five years ago, Spotify arrived in Pakistan, opening a new chapter in the country's music scene. Since then, local listeners have explored across genres, ge...
21/04/2026
Since its launch in 2020, RADAR has been our program for spotlighting emerging artists around the world. This year marks the sixth edition of RADAR Spain, our o...
21/04/2026
Offers compact wireless solution for pedalboards
Taiwanese audio brand Cloudvocal have announced the availability of a new pedalboard-friendly wireless syst...
21/04/2026
Latest hybrid sampling/synthesis instrument arrives
Arturia's Augmented series offerings rely on a mixture of sampling and synthesis, allowing users to ...
21/04/2026
Rohde & Schwarz to host Power Electronics Online Conference From Design to Vali...
21/04/2026
MAS and Lockheed Martin partner to establish an F-35 depot in Canada, enabling in-country sustainment and creating high-skilled aerospace jobs....
21/04/2026
Advertising strategies shift as competition grows for a large, active and qualit...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
21/04/2026
Layercake Deepens Bitmovin Integration to Power End-to-End Media Orchestration w...
21/04/2026
Cobalt Digital Announces Launch of blueCORE at NAB Show 2026: Compact Powerhouse...
21/04/2026
On-Premise AI Suite from Studio Network Solutions Debuts at NAB Show 2026
Melanie Ciotti April 21, 2026
0 Comments
Unlimited processing, no cloud depe...
21/04/2026
London, 21 April 2026 IBC today announced the appointment of Tim Banham as its first Chief Commercial Officer (CCO), a newly created role that reflects the or...
21/04/2026
Motion Design Tools - April 2026
Roland Kahlenberg April 21, 2026
0 Comments
Within 2 days, Maxon and Canva announced pro-level motion design apps - A...
21/04/2026
Chaos and Zero Density to Showcase Real-Time Ray Tracing for Virtual Studios and...
21/04/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
It's a streaming world-and streaming services have their own audio standards with respect to LUFS and True Peak levels. LUFS is not the same as peak or average loudness. Instead, it measures perceived sound levels. In theory, if two songs have the same LUFS readings-whether it's Billie Eilish whispering or hardcore 1999 Belgian techno-you won't feel the need to get up and adjust the volume.
