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28/01/2022

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04/11/2022
Game better with DTS Headphone:X
The best gamers know DTS Headphone:X technology ups their play. Now major magazines have caught on, too. DTS Headphone:X technology creates immersive soundsc...
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International Shopping Network Selects Sencore Solution
Sencore, the gateway to better video delivery, in conjunction with their master distribution partner, Toner Cable Equipment, recently announced the Impulse 300D...
17/05/2022
Lighting Spotlight: Cinematographer Kit Fraser
I am certain I wouldn't be where I am today if it wasn't for Panalux's help and support. Director of Photography Kit Fraser has been a loyal Panalu...
17/05/2022
Lighting Spotlight: Gaffer Andrew Taylor
It's like they are always on standby! Panalux's response is second to none. Gaffer Andrew Tala Taylor has built a solid working relationship with the...
17/05/2022
The Artistry of Anamorphic
Dan Sasaki, Panavision's senior vice president of optical engineering, touches on recent advancements in digital imagers as well as the continued popularity...
17/05/2022
The Five Pillars of Anamorphic - Magnification and Perspective
As Panavision senior vice president of optical engineering Dan Sasaki explains, magnification and perspective collectively make for a very strong defining poin...
17/05/2022
The Five Pillars of Anamorphic - Disproportionate Breathing
Panavision senior vice president of optical engineering Dan Sasaki explores the distinct way that anamorphic lenses breathe as their focus is adjusted, a qualit...
17/05/2022
The Five Pillars of Anamorphic - Flare
Dan Sasaki, Panavision's senior vice president of optical engineering, shines a light on the unique flare characteristics of various series of Panavision an...
17/05/2022
The Five Pillars of Anamorphic - Bokeh
The combination of an anamorphic lens' powered and non-powered axes lends an elliptical shape to out-of-focus elements within the image, explains Panavision...
17/05/2022
The Five Pillars of Anamorphic - Organic Focus Roll-Off
Panavision senior vice president of optical engineering Dan Sasaki discusses how the inherent softness in anamorphic optics takes the edge off of sharp digital ...
17/05/2022
The Aesthetics of Anamorphic in Film and Digital
With examples from the features Batman v Superman: Dawn of Justice, Star Wars: The Force Awakens, Suicide Squad, Chef, The Equalizer, and Spectre as well as the...
17/05/2022
The Five Pillars of Anamorphic
Hosted by Dan Sasaki, Panavision's senior vice president of optical engineering, the Five Pillars of Anamorphic video series provides an in-depth analysis o...
17/05/2022
Lighting Spotlight: Gaffer Scott Napier
Scottish gaffer Scott Napier has had the good fortune of working on Starz/Sony TV Drama Outlander right from the very beginning through season two, which wrappe...
17/05/2022
Panavision Brings the Millennium DXL Camera and Large-Format Lenses to Camerimage 2017
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17/05/2022
Exceptional Women in Production & Post 2018
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17/05/2022
Lighting Spotlight: Gaffer Andy Cole
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17/05/2022
Lighting Spotlight: Lighting Designer Freddie Bonfanti
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17/05/2022
Creating the Look of Late Night
A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by...
17/05/2022
Christian Sprenger Turns To Panavision To Create Super Spots
Cinematographer Christian Sprenger was busy this winter, shooting not one but two commercial spots that debuted during Super Bowl LIII. For TurboTax Live, he sh...
17/05/2022
The Chi: Bringing Life On The Street Closer To Home
One of the strengths of the acclaimed series The Chi, created by Lena Waithe, is its multifaceted take on the experiences of living in Chicago's South Side....
17/05/2022
Lighting Spotlight: Gaffer Tom Gates
Overall, the entire thing is BIG! Top Gaffer Tom Gates summed up what it's like working on HBO's mega hit television series Game of Thrones when he ...
17/05/2022
Tim Ives, ASC Captures the Story of Bob Fosse and Gwen Verdon
Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series St...
17/05/2022
Colorist Jeremy Sawyer Heads to Light Iron
LOS ANGELES (May 16, 2019) Light Iron, a Panavision company, has announced Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist. The hi...
17/05/2022
Award Contenders Enlist Light Iron for Post Services
LOS ANGELES (May 8, 2019) Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with not...
17/05/2022
George Richmond, BSC Crafts Period Looks With Anamorphic Optics for Rocketman
Elton John's larger-than-life, rags-to-riches story is given the musical treatment in the new movie Rocketman from Paramount Pictures. The film is depicted ...
17/05/2022
Autumn Durald Arkapaw Chooses Panavision Anamorphics to Frame The Sun Is Also a Star
Autumn Durald Arkapaw had a good feeling about her first meeting with director R...
17/05/2022
Light Iron Enlists Renowned Industry Colorist Scott Klein
LOS ANGELES (July 8, 2019) Light Iron, a Panavision company, is excited to announce that award-winning colorist Scott Klein will be joining the company in Jul...
17/05/2022
A Retro Look... With a Twist
The highly anticipated opus from director Quentin Tarantino doesn't disappoint. It's a typically outrageous conglomeration of comedy and shock laced wit...
17/05/2022
A Creative Refuge For Bernadette
Based on the New York Times best-selling novel by Maria Semple, Where'd You Go, Bernadette is a hopeful chase through the complicated world of the chic, int...
17/05/2022
Seamus Tierney Gets Brittany Runs a Marathon Into Visual Shape
Brittany Runs a Marathon is the directorial debut of Paul Downs Colaizzo. It took Sundance by storm, winning the Festival's Audience Award, and got snatched...
17/05/2022
Filmmaker Focus: Todd Banhazl
Cinematographer Todd Banhazl shot Hustlers, currently in theaters, and the upcoming HBO series Showtime. His work on the seaside noir film Blow the Man Down rec...
17/05/2022
James Chressanthis, ASC, GSC Embeds Subtle Iconography Into Greenleaf
With the fourth season of Greenleaf, the enthralling saga set in an African American megachurch that premiered on OWN this month, James Chressanthis, ASC, GSC e...
17/05/2022
Polly Morgan Launches Lucy in the Sky
Lucy In the Sky is the story of an astronaut who, on returning to Earth, begins to fall apart and lose touch with reality. Co-written and directed by Noah Hawle...
17/05/2022
Colorist Corinne Bogdanowicz Sees Through Transparent
The series' Emmy Award-winning creator Jill Soloway takes the show's end run in a new direction by concluding with a movie-length musical. Transparen...
17/05/2022
Fred Murphy, ASC Finds the Right Color and Contrast for CBS' Evil
The series Evil, from creators Robert and Michelle King, has already been picked up for a second season. The show stars Katja Herbers as Kristen Bouchard, a for...
17/05/2022
Gavin Kelly Gives AHS: 1984 a Retro Horror Look
Viewers are introduced to a killer who terrorizes camp counselors, but with a fresh AHS blood injection into all the familiar horror tropes of that era. Slasher...
17/05/2022
In Conversation: Ford v Ferrari
Phedon Papamichael, ASC, GSC and Panavision senior vice president of optical engineering Dan Sasaki screen the trailer for the feature Ford v Ferrari and break ...
17/05/2022
Tales From the Shoot: Ford v Ferrari
In conversation with Dan Sasaki, Panavision's senior vice president of optical engineering, cinematographer Phedon Papamichael, ASC, GSC elaborates on the h...
17/05/2022
Success Is Counted Sweetest
When Apple TV+ was unveiled earlier this year, Apple positioned the video subscription service as the new home for the world's most celebrated creative art...
17/05/2022
Filmmaker Focus: Monika Lenczewska, PSC
Monika Lenczewska's imagery on Under the Tree, Message from the King, and Park earned the cinematographer many accolades on the international film festival ...
17/05/2022
Visualizing Two Perspectives
Cinema, the most voyeuristic of mediums, is uniquely placed to convey both the act of surveillance and the psychology of the surveilled. In Seberg, director Ben...
17/05/2022
Ford v Ferrari Delivers Speed and Danger With Classic Approach
Phedon Papamichael, ASC, GSC has a long history with Panavision lenses, having used them on many of his best-known credits including 3:10 to Yuma, The Weather M...
17/05/2022
The Making of Zana
Sisters Antoneta and Sevdije Kastrati the director and cinematographer, respectively, of the feature Zana partnered with Panavision and Light Iron for the p...
17/05/2022
Relationships Within Just Mercy
Light Iron Supervising Colorist Ian Vertovec joins cinematographer Brett Pawlak for a conversation about their collaboration on director Destin Daniel Crettons ...
17/05/2022
Finding the Truth in the Look: Just Mercy
As cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec share, lensing, aspect ratio, resolution, and color all worked in harmony to cr...
17/05/2022
The Camera Behind Just Mercy
Cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec discuss the technical and artistic choices that went into bringing Just Mercy to l...
17/05/2022
Filmmaker Conversations
Follow the links below to learn from filmmakers as they offer insights into their creative and technical processes. A Collaboration With Panavision: Alice Broo...
17/05/2022
Panalux Launches New LED Soft Light, Hybrid Generator at BSC Expo 2020
LONDON, England (23 January, 2020) Lighting rental company Panalux, an industry leader in lighting-technology innovation and a member of the Panavision group ...
17/05/2022
The Circle Is Complete
In February 2019, director J.J. Abrams called Cut! for the last time during principal photography of the ninth chapter of the long-running Star Wars saga. Sta...
17/05/2022
Family Matters
Written by Shia LaBeouf and directed by Alma Har'el, Honey Boy presents a semi-autobiographical portrait of LaBeouf's experiences as a 12-year-old child...