
Minnesota Lynx Production Team Relies on NBA Crew, Lessons From Timberwolves Season at Target Center The franchise plans to bring back on-court activations soon By Kristian Hernandez, Associate Editor
Monday, July 26, 2021 - 2:43 pm
Print This Story | Subscribe
Story Highlights
After a year filled with calls for gender and racial equity, it's time to celebrate the 25th season of the WNBA. Similar to At the Ballpark, On the Gridiron, On the Hardwood, At the Rink, and On the Pitch, SVG's In the W highlights the efforts, technological solutions, and creative ideas of a handful of production crews in the league.
In Minnesota, basketball is a year-long activity, and with the NBA's Timberwolves and the WNBA's Lynx, hoopers flock to the Twin Cities. The two franchises provide the production team at the Target Center ample opportunities to develop new ideas, but, after COVID-riddled 2020 seasons, the Lynx crew is tapping into lessons learned during the Wolves schedule.
We started Timberwolves season without any fans in the building, but by the end, we were close to 2,000 fans in the building, says Alyse Danikowski, manager, game production, Minnesota Lynx. Since we went months of entertaining only ourselves on the videoboard, we went through the whole process of remembering how to put on a show for spectators again.
MORE IN THE W INTERVIEWS
Los Angeles Sparks Move Operations to Convention Center Nearby, Turn Back the Clock to 1997
After Last Year's Wubble, Atlanta Dream Works With 3 Point Productions To Light Up Gateway Center Arena
Weekend Full of Games: Staffers Handle Busy WNBA-NBA Transition
The control room at Target Center is still observing COVID rules with plexiglass dividers.
When the sports calendar rolls to spring, the basketball world breaks into a frenzy. With the NBA season's delayed start, production teams were struggling to balance the content for the two leagues. At the tail end of the Timberwolves schedule, Danikowski and company faced an onslaught of games kicking off the 2021 Lynx campaign at Target Center. The week after the Lynx's first preseason game on May 8, a tough stretch of contests began.
We had a really crazy period when we had a Wolves game on Thursday, a Lynx home opener on Friday, and then Wolves games on Saturday and Sunday to end the season, she says. We tried to get ahead of what we could by working long hours for a couple of days, so it went pretty smoothly. We had a couple of videoboards behind the benches for the Wolves season and had to design content for the first two Lynx games before those were taken out.
Two professional teams in one building can get a bit complicated, but one of the many blessings that comes with such a situation is leveraging the production crew. The organization is able to bypass some of the effort of bringing new crewmembers up to speed. Given the nature of professional sports, there isn't much of an offseason in Minnesota. While other production teams get a chance to be away from the control room, this Minnesota-based team gets extra work.
We're really lucky to have the same incredible crew for Wolves and Lynx, says Danikowski. There's usually a period at the beginning of the season when you're trying to get back into the flow of brainstorming and creating [ideas], but we don't have that since we're going from one season into the other.
Some of the Same: Media Day Content, Prerecorded Videos Fill Videoboard Newly acquired Aerial Powers on the set of Media Day
With many lessons learned from the WNBA's Wubble season last summer and the recent Timberwolves schedule, besides having the same production crew, the Lynx are set up for the most success possible under today's unique circumstances. In terms of content for the videoboards at Target Center, the Lynx team operates with a full day's worth of video and still photos. Since COVID-19 restrictions are still hindering immediate access to players, preseason Media Day was one of the few opportunities for content-gathering. Although this year's shoot didn't include impressive shots from a drone, the staff still created a dramatic environment at Target Center for eye-popping material.
In the venue, the crew is using Media Day content to generate intro videos and headshots and is implementing that into the daily rotation on game nights.
We haven't gone into the realm of live entertainment in our building yet, notes Danikowski. We're still showing a lot of throwback and previously recorded performances at halftime and quarter breaks. We still have our mascot, Prowl, on the same stage that we had [the Timberwolves'] Crunch, and, since we have a lot of new players in the offseason and through the Draft, we're doing a lot of player features.
The Ones Who Get It Done: Shoutout to the Minnesota Lynx's Production Team Minnesota Lynx's Alyse Danikowski poses before the team's home opener vs. Phoenix on May 14.
Although the production plan has been without many real-time elements, the strategy is to improve by the time the season resumes after the Olympics break. Until then, Danikowski; Senior Manager, Game Entertainment, Sheridan West; Senior Animation and Video Features Producer Josh Harms; and Animation and Video Feature Producer Maggie Frost will spend the rest of July and the first couple of weeks of August to recharge, reset, and get ready to deliver high-quality shows of the four-time WNBA Champions.
Our team is extremely good at what they do, Danikowski says. I'm blessed to work where I do and with the people that I work with.
The Minnesota Lynx will kick off the post-Olympics part of the season with a home game vs. the New York Liberty at Target Center on Saturday, Aug. 15 at 7 p.m. ET.
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
28/10/2026
SDI Failsafe IP Routing: Inside the UTAH-400 Series 2 Router A pure-IP routing core has no inherent fallback. When the ST 2110 network degrades, when the PTP gr...
28/10/2026
MLB Network is nearly all-day media day coverage across MLB Now, MLB Central, ML...
28/10/2026
Voyage Audio and Shure microphones are in the forefront of the sector's transition to digital
Microphones may have come late to the digital table, but they...
28/10/2026
Having long resisted the transition, broadcast audio's most fundamental element is finally entering the digital era
About 25 years ago, a microphone manufa...
28/10/2026
The Wireless Microphone Spectrum Alliance (WMSA), formed in 2025 to raise awareness with government entities about wireless microphone operations, has held meet...
28/10/2026
Telos Aliiance was at the recently held IBC in Amsterdam once again representing its brands which include Axia Audio, Omnia Audio, Telos Systems, 25-Seven Syste...
28/10/2026
SPORTEL Monaco 2026 wrapped up three days of high-level business, international ...
28/10/2026
By Ramona Flume
One of the most exciting things about the Sundance Film Festiva...
28/10/2026
By Jessica Herndon
One of the most exciting things about the Sundance Film Fest...
28/10/2026
Co-Presented by Letterboxd
BOULDER, Colorado, October 21, 2026 - The nonprofit Sundance Institute announced today the Legacy program for the 2027 Sundance Film...
28/10/2026
Two full-range, flat-response amps revealed
Moog's latest announcement may come as a bit of a surprise to many, as rather than introducing a new synth, ...
28/10/2026
Annual event returns for 12th year in Bristol, UK
Returning for its 12th year, the annual Audio Developer Conference is set to take place between 9-11 Novem...
28/10/2026
Automation updates, Dim Solo mode, multiple Marker Tracks, MIDI 2.0 support & much more
The latest version of Fender's DAW software has just arrived, de...
28/10/2026
Combines tuning & harmony generation
Klevgrand's latest release offers a simplified take on Altitude, the pitch-correction and harmony-generation plug-i...
28/10/2026
Digital Originals backs the next wave of Australian screen talent
28 October, 2026
Media releases
SBS, National Indigenous Television (NITV) and Screen Aus...
28/10/2026
Behind every jinx is a story: Comedian Ting Lim takes a light-hearted look at su...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Sift Clips Now Searches Frame.io Footage
Brie Clayton October 28, 2026
0 Comments
Frame.io search has now been added to Sift Clips. This new feature l...
28/10/2026
Choco Film Adopts DaVinci Resolve Studio and Blackmagic Cloud for Its Editing Wo...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
28/10/2026
Rise AV has announced the 23 women selected for its 2026 Elevate programme, bringing together professionals from 20 organisations across the UK, Ireland, German...
28/10/2026
MTV Oy, Finland's largest commercial broadcaster, has long been recognized for its ability to deliver fast, reliable and engaging content across news, curre...
28/10/2026
LA JOLLA, CA-The shifty hepatitis C virus (HCV) has a knack for outmaneuvering t...
28/10/2026
Digital Originals backs the next wave of Australian screen talent 28 October 2026
2026 Digital Originals cohort. Photo credit: Teniola Komolafe.
SBS, National...
28/10/2026
COW Jobs: Managing Video Editor - Remote
Brie Clayton October 27, 2026
0 Comments
Managing Video Editor
October 27, 2026COW Jobs: Production......
28/10/2026
COW Jobs: Production Manager
Brie Clayton October 27, 2026
0 Comments
Production Manager
October 27, 2026COW Jobs: Managing Video Editor -......
28/10/2026
Wednesday 28 October 2026
Claire Goodlass joins Sky as Commissioning Editor, Documentaries
Sky has appointed Claire Goodlass as Commissioning Editor, Document...
28/10/2026
Proximic by Comscore Expands Integration Across Magnites CTV Ecosystem First real-time contextual integration across Magnite SpringServe connects audience int...
28/10/2026
NVIDIA RTX Spark powers thin and light laptops built for everything that developers, creators and gamers do.
RTX Spark laptops are now available from ASUS, Del...
28/10/2026
RT is developing its next Statement of Strategy and wants to hear the views of people across Ireland the audience we serve. RT New Direction remains RT '...
27/10/2026
Satellite, bonded cellular, and IP- and cloud-based solutions. Those are three o...
27/10/2026
Eutelsat has renewed its partnership with Qatar Media Corporation (QMC), Qatar...
27/10/2026
PROTON Camera Innovations GmbH will show the PROTON FLEXY at SATIS 2026 (Booth A13-B12), after the camera won a Best in Market award in the ProAV category at IB...
27/10/2026
ATSC, the Broadcast Standards Association, has reported results from a laboratory validation and live demonstration in Brazil of interference cancellation and s...
27/10/2026
The PGA Tour announced Monday that Brian Gordon has joined PGA Tour Studios as executive producer and head of live content. He began with the Tour on Oct. 26 an...
27/10/2026
The NBA has announced agreements to establish a framework for NBA-related predic...
27/10/2026
Apple Music, the NFL and Roc Nation have announced that JAY-Z will perform at the Apple Music Super Bowl LXI Halftime Show at SoFi Stadium in Los Angeles on Sun...
27/10/2026
DIRECTV and DAZN have signed a multi-year distribution agreement for local telec...
27/10/2026
The NHL has announced NHL Monday Night Hockey, a new initiative that will bring 11 live NHL games to fans across Europe in local primetime windows on Monday nig...
27/10/2026
Telef nica Servicios Audiovisuales (TSA) has deployed Grass Valley AMPP for Movi...
27/10/2026
SES and CANAL have extended their partnership through 2040 with a multi-year agreement covering satellite capacity across Europe, Africa and the Caribbean.
Un...
27/10/2026
Gravity Media deployed a flypack production system and RF cameras for Red Bull R...
27/10/2026
Appear has announced that NSC TV, a TV Globo affiliate in Brazil, has selected t...
27/10/2026
MLB's Ryan Zander discusses the league's work to integrate the ABS Chall...
27/10/2026
Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli)
By Vero Kompalic
This is the last picture I ever took in Venezuela.
I had seen the girl in the row ah...