COLORFRONT DEMONSTRATES DYNAMIC RANGE OF SET-TO-POST INNOVATIONS AT CINE GEAR EXPO 2015 Industry-leading advances include full HDR pipeline support for the latest color, digital cinema camera and editorial formats Budapest, Hungary, June 5, 2015 - Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will demonstrate the latest, cutting-edge features of its tools supporting Ultra High Definition (UHD), High Dynamic Range (HDR) production and post, during the Cine Gear Expo 2015, June 4-7, at The Studios at Paramount, Hollywood, CA, Booth #S223/Stage 31. Colorfront products showcased include the 2015 versions of Express Dailies, On-Set Dailies, and Transkoder, all running on the latest MacPro workstation, plus On-Set Live 2015, running on the new Retina MacBook Pro. Integral to every product in the company's range is Colorfront Engine, the state-of-the-art, managed color pipeline toolset, which enables creative on-set look creation and ensures the color fidelity of UHD HDR materials and metadata though the entire camera-to-post chain. In Colorfront's tools, HDR is not an add-on, but a fully-integral part of the pipeline - from day one on-set to the final program delivery. During Cine Gear Expo, Colorfront will yet again set new application benchmarks with hands-on demonstrations of workflows supporting the latest color, digital cinema camera and editorial formats. These advances underscore Colorfront's reputation as a leading UHD, HDR technology innovator for elite Hollywood productions, blockbuster motion pictures and high-end episodic TV shows. The Academy Color Encoding System (ACES) is becoming the industry-standard for managing color throughout the life-cycle of motion picture and television productions. Colorfront is a member of the ACES Logo Program, and is showing full ACES 1.0 support across its On-Set Live, Express Dailies, On-Set Dailies and Transkoder product line enabling end-to-end, ACES-compliant productions. Colorfront On-Set Live 2015 is being shown grading footage from a Sony F55 camera using 3D LUTs on AJA and HDLink Pro LUT boxes. In support of HDR monitoring and display, Colorfront is showing playback on professional and consumer High Dynamic Range UltraHD displays, including a 65 Samsung JS9500 UHD HDR TV set. Colorfront has continuously focused on supporting the very latest camera formats, and these now include ARRI Alexa 65 and Alexa SXT, Panasonic Varicam V-RAW and AJA Cion, plus XAVC encoding and decoding. As production and post production go beyond HD into UHD, Colorfront is also highlighting the rendering of 4K DNxHR 4K for AVID MediaComposer, enabling content creators to shoot, deliver, edit and finish in 4K. A further highlight is Transkoder 2015 on Mac, Colorfront's standalone, high-performance, file-conversion and mastering system for digital cinema and high-end UHDTV production. Transkoder will be demonstrated creating 4K DCP deliverables from Avid DNxHR editorial footage, for efficient and secure delivery of production content of the highest quality. Colorfront has enjoyed considerable sales success with Transkoder amongst leading broadcasters such as BBC, NHK and MGO and VFX asset management systems such as Creative Cartel's Joust, who employ the technology for a wide range of 2K/4K /3D4K/8K/UHDTV and High Frame Rate (HFR) processing tasks. About Colorfront:
Colorfront, based in Budapest, Hungary, is one of Europes leading DI and post production facilities. The company was founded by brothers Mark and Aron Jaszberenyi, who together played a pivotal role in the emergence of non-linear DI. The companys R&D team earned an Academy Award for the development of Lustre, Autodesks DI grading system, and a Primetime Engineering Emmy for the Colofront On-Set Dailies. Combining this in-depth expertise with a pedigree in the development of additional cutting-edge software, Colorfront offers today's most advanced technologies for scanning and recording, DI grading, conforming, digital dailies, VFX, online and offline editing, cinema sound mixing, mastering and deliverables. For further information please visit www.colorfront.com. Media Contact:
Aron Jaszberenyi
E: aron@colorfront.com
T: +36 1 880 3900
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
04/08/2026
Dalet, a leading technology and service provider for media-rich organizations, t...
04/07/2026
April 7 2026, 19:00 (PDT) Detective Conan: Fallen Angel of the Highway Opens in...
01/06/2026
January 6 2026, 05:30 (PST) Dolby Sets the New Standard for Premium Entertainment at CES 2026
Throughout the week, Dolby brings to life the latest innovatio...
17/05/2026
Delta Goodrem's Eurovision Eclipse marks end of a stellar run
17 May, 2026
Media releases
Bulgaria wins Eurovision 2026
Relive every spellbinding mome...
16/05/2026
Helps to deliver a clean, balanced midrange
Developed alongside Newfangled Audio, the latest plug-in in Eventide's software collection has been designed...
16/05/2026
Brings onboard stem rendering to RANE System One
Engine DJ have just released Engine DJ 5.0, a free update for their Engine DJ OS embedded hardware and Engi...
16/05/2026
Boris FX Continuum Pairs AI Precision and Advanced Creative Controls
Jessie Electa Petrov May 16, 2026
0 Comments
The 2026.5 release adds automatic de...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
16/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Seattle Sounders FC and Seattle Reign FC, in partnership with RAVE Foundation an...
15/05/2026
Dan Brumm has served as sound designer on Bluey, the Australian children's t...
15/05/2026
The Professional Audio Manufacturers Alliance (PAMA) and Shure Incorporated are accepting applications for the 6th annual Mark Brunner Professional Audio Schola...
15/05/2026
Netflix has announced an expanded NFL schedule for 2026 and beyond under a four-year partnership extension with the NFL through the 2029-30 season. Each season,...
15/05/2026
Ateme is supporting TVRI (Televisi Republik Indonesia) with a contribution and d...
15/05/2026
Concacaf has announced the launch of a new website and mobile app built on Deltatre's FORGE platform. Concacaf.com and the mobile app, available on iOS and ...
15/05/2026
Eutelsat has announced the launch of QBC Business Economic Channel by Qatar Media Corporation, broadcasting in 4K/UHD via Eutelsat's 7/8 West video neighbo...
15/05/2026
Major League Soccer has announced four original content series timed to the 2026...
15/05/2026
The Alliance for IP Media Solutions (AIMS) has announced it will exhibit and present at InfoComm 2026, taking place June 13-19 at the Las Vegas Convention Cente...
15/05/2026
InfoComm 2026 will take place June 13-19 (exhibits June 17-19) at the Las Vegas Convention Center. The show will include sessions and exhibits covering broadcas...
15/05/2026
Tracy McGrady's Ones Basketball League (OBL) and FuboTV Inc. have announced ...
15/05/2026
Disguise has partnered with Creative Technology (CT) to deliver visual playback ...
15/05/2026
Sony Electronics has announced two new products for professional imaging: the Alpha 7R VI full-frame mirrorless camera and the FE 100-400mm F4.5 GM OSS super-te...
15/05/2026
In-venue and creative video staffers at the professional and collegiate level ha...
15/05/2026
Ratings Roundup is a rundown of recent rating news and is derived from press rel...
15/05/2026
For sports organizations, the most valuable assets are often the most sensitive:...
15/05/2026
The NFL's broadcast partners released their 2026 regular season schedules ye...
15/05/2026
When MMA icons Ronda Rousey and Gina Carano meet inside the Hexagon at Intuit Do...
15/05/2026
Daniel Roher attends the Tuner Premiere during the 2026 Sundance Film Festival at Eccles Theatre on January 22, 2026 in Park City, Utah. (Photo by Neilson Bar...
15/05/2026
Last night, the Spotify Podcast Awards in Mexico returned to the country's capital. Now in its second year, the evening honors creators whose voices are hel...
15/05/2026
Rebranded show announced
Ahead of their 2026 return, Music Expo have announced that they have now officially changed their name to the MONO Music Conference...
15/05/2026
Fuzz pedal joins UK companys line-up
UK-based pedal makers Buzzing Bugs Audio Devices have recently unveiled their latest creation, the Bolster. Said to pay...
15/05/2026
Joint Statement: News Bargaining Incentive
28 April, 2026
Media releases
The vibrancy of Australian democracy relies on the robust and open exchange of new...
15/05/2026
Call it Deltavision, Australia's through to the Grand Final of this year'...
15/05/2026
Join Calrec at MPTS 2026 | May 13-14 | Stand A40 | Olympia, London We're looking forward to meeting up with customers and partners at this year's Media ...
15/05/2026
86% of media planners would move more linear TV budget to CTV if they had show-level targeting and reporting - and 65% would also shift dollars from programmati...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Clear-Com will showcase new communications solutions and major platform updates at InfoComm 2026 (Booth N7005), June 17-19, in the North and Central Halls of t...
15/05/2026
Following an outstanding inaugural year in 2025, Rise AV is proud to announce the return of its flagship leadership initiative, Elevate. The programme continues...
15/05/2026
Berklee Announces Lineup for Inaugural AI Music Summit The three-day event puts musicians at the center of the future of music creation, ethics, and the indus...
15/05/2026
Lightware returns to InfoComm 2026 with a focused showcase of scalable USB-C connectivity, next-generation AV-over-IP solutions, and technologies that help over...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
15/05/2026
Delivering a live, arena-scale production of a massively popular band is no small feat. Between expansive in-arena LED walls and a global live stream fed to onl...
COLORFRONT DEMONSTRATES DYNAMIC RANGE OF SET-TO-POST INNOVATIONS AT CINE GEAR EXPO 2015 Industry-leading advances include full HDR pipeline support for the latest color, digital cinema camera and editorial formats Budapest, Hungary, June 5, 2015 - Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will demonstrate the latest, cutting-edge features of its tools supporting Ultra High Definition (UHD), High Dynamic Range (HDR) production and post, during the Cine Gear Expo 2015, June 4-7, at The Studios at Paramount, Hollywood, CA, Booth #S223/Stage 31. Colorfront products showcased include the 2015 versions of Express Dailies, On-Set Dailies, and Transkoder, all running on the latest MacPro workstation, plus On-Set Live 2015, running on the new Retina MacBook Pro. Integral to every product in the company's range is Colorfront Engine, the state-of-the-art, managed color pipeline toolset, which enables creative on-set look creation and ensures the color fidelity of UHD HDR materials and metadata though the entire camera-to-post chain. In Colorfront's tools, HDR is not an add-on, but a fully-integral part of the pipeline - from day one on-set to the final program delivery. During Cine Gear Expo, Colorfront will yet again set new application benchmarks with hands-on demonstrations of workflows supporting the latest color, digital cinema camera and editorial formats. These advances underscore Colorfront's reputation as a leading UHD, HDR technology innovator for elite Hollywood productions, blockbuster motion pictures and high-end episodic TV shows. The Academy Color Encoding System (ACES) is becoming the industry-standard for managing color throughout the life-cycle of motion picture and television productions. Colorfront is a member of the ACES Logo Program, and is showing full ACES 1.0 support across its On-Set Live, Express Dailies, On-Set Dailies and Transkoder product line enabling end-to-end, ACES-compliant productions. Colorfront On-Set Live 2015 is being shown grading footage from a Sony F55 camera using 3D LUTs on AJA and HDLink Pro LUT boxes. In support of HDR monitoring and display, Colorfront is showing playback on professional and consumer High Dynamic Range UltraHD displays, including a 65 Samsung JS9500 UHD HDR TV set. Colorfront has continuously focused on supporting the very latest camera formats, and these now include ARRI Alexa 65 and Alexa SXT, Panasonic Varicam V-RAW and AJA Cion, plus XAVC encoding and decoding. As production and post production go beyond HD into UHD, Colorfront is also highlighting the rendering of 4K DNxHR 4K for AVID MediaComposer, enabling content creators to shoot, deliver, edit and finish in 4K. A further highlight is Transkoder 2015 on Mac, Colorfront's standalone, high-performance, file-conversion and mastering system for digital cinema and high-end UHDTV production. Transkoder will be demonstrated creating 4K DCP deliverables from Avid DNxHR editorial footage, for efficient and secure delivery of production content of the highest quality. Colorfront has enjoyed considerable sales success with Transkoder amongst leading broadcasters such as BBC, NHK and MGO and VFX asset management systems such as Creative Cartel's Joust, who employ the technology for a wide range of 2K/4K /3D4K/8K/UHDTV and High Frame Rate (HFR) processing tasks. About Colorfront: 
