Screen Australia will fund seven unconventional series through its Multiplatform Drama program. The program supports risky projects with unorthodox formats. They utilise non-traditional platforms for distribution making them accessible to global online audiences.
The innovative slate features stories from an Emmy Award winning team, a popular cult comedian, an all-female comedy team, two YouTube stars and the return of the worst wine series ever made. The eclectic range delivers comedy entertainment with broad audience appeal.
The online space is an extraordinarily rewarding growth area for Australian filmmakers; we have seen projects supported through the program reach remarkable audiences in the billions. How to Talk Australians and The Katering Show are viral hits and #7DaysLater has pushed the envelope of innovation, recognised internationally with a Digital Emmy win. The worldwide critical acclaim and festival success of shows like Wastelander Panda and Noirhouse continues to showcase the dynamic talent and fresh ideas coming out of Australia, said Sally Caplan, Screen Australia's Head of Production.
The Multiplatform Drama program has been instrumental in propelling Australian talent to a global arena and has played a vital role in supporting the screen industry to find a new pathway to audiences in phenomenal numbers. We look forward to presenting some of our killer talent at a select showcase in April at MIP Digital Fronts at MIPTV in Cannes.
Filmmaker Michael Shanks has multiple YouTube mega-hits under his handle TimTimFed most recently with his parody of the Star Wars: The Force Awakens trailer. With almost 11.5 million hits to date, the George Lucas Special Edition has spawned dozens of YouTube responses. Working with LateNite Films, Michael will write/direct the six-part online comedy series The Wizards of Aus, a fish-out-of-water story about a Gandalf-esque wizard who decides to turn his back on the magical realm and settle down in Footscray with disastrous results.
Known as the RackaRacka, Adelaide's Philippou brothers have built a vast, dedicated online audience, with 806,000 YouTube subscribers. Screen Australia will support them to make three episodes of their trademark stunt-laden, high-octane comedy, Versus, allowing them to deliver action-packed content on the next level. Julie Byrne of Triptych (The Babadook) will produce the series with Danny and Michael Philippou on board to write and direct. The South Australian Film Corporation will also support the project.
From producer/director Nathan Earl, the second series of Plonk will bring the team back together to pick up where the first series left off. This time the incompetent wine series host, Chris Taylor (The Chaser's War on Everything), will wreak havoc in South Australia's renowned wine country. With distribution across the Nine Network, Stan and YouTube, Plonk series 2 will be highly accessible to audiences across multiple platforms.
Paul Fenech has delivered striking comedy to Australian audiences with Fat Pizza and Housos. Screen Australia will support his web series debut, Dumb Criminals Motorcycle Club, to deliver his clever Australian humour to the world. The 10-part, short-form comedy follows a group of new characters, who are the most inept criminals ever to ride on two wheels.
Endemol is collaborating with an emerging all-female comedy team on Fragments of Friday, a short-form online series. The comedy sees a group of friends in an all-too-frequent scenario trying to piece together their Friday night after waking in a haze of overindulgence. Writer/director Kacie Anning is currently causing waves with her online series Minister for Men starring Gretel Killeen.
From the comedy powerhouse of Princess Pictures (Summer Heights High, It's a Date), comes an original opera crafted for a contemporary on-screen experience. Screen Australia will support The Divorce, a witty soap opera' in collaboration with Opera Australia and with support from Film Victoria. The opera will be broadcast on ABC TV and iview, with Universal Pictures set to distribute theatrically. The broadcast/online format is four half hours and the theatrical format will screen as a 90-minute film.
Before their Digital Emmy win for #7DaysLater, Queensland's Ludo Studio received support to create animated comedy series Doodles, which brought to life the artistic contributions of their social media audience. Screen Australia will support the team to make a second series of 24 x 30-second episodes, this time with ABC TV and YouTube giant Frederator (Adventure Time).
Now an open-ended program, accepting applications at any time throughout the year, the Multiplatform Drama program continues to approach creative content in a flexible and open manner.
THE DIVORCE
Multiplatform TV and theatrical
Princess Pictures Holding Pty Ltd
Producer Andrea Denholm
Executive Producers Emma Fitzsimons (Princess Pictures), Lyndon Terracini (Opera Australia)
Director Dean Murphy
Writer Joanna Murray-Smith
Composer Elena Kats-Chernin
Synopsis The Divorce is an opera written specifically for the screen, rethinking the operatic art form for a contemporary film and television audience. Iris and Jed, rich and urbane, are happily getting divorced and are throwing an elaborate party at their elegant home to celebrate. By the end of the evening, Iris and Jed's divorce has triggered a renegotiation of all certainties. Humorous, witty and complex, this soap opera' is a light-hearted exploration of the universal themes of love, passion, regret, greed and longing: a celebration of the profound in the shallow.
DOODLES SERIES 2
Animated series
Ludo Studio Pty Ltd
Producer Charlie Aspinwall
Director Daley Pearson
Director/Animator Benjamin Zaugg
Synopsis Doodles is an interactive, animated multiplatform com
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Screen Australia will fund seven unconventional series through its Multiplatform Drama program. The program supports risky projects with unorthodox formats. They utilise non-traditional platforms for distribution making them accessible to global online audiences.
