With songs by rocker girl Cyndi Lauper and story by celebrated actor/playwright, Harvey Fierstein, Kinky Boots has Broadway on its proverbial feet. Based on the 2005 British flick about a struggling shoe factory that reinvigorates business by making fetish footwear for drag queens, the show opened to rave reviews and a TONY award nom on the horizon. In keeping with many award-winning shows on the Great White Way,' sound designer John Shivers opted for a DiGiCo SD7T to handle the production, after becoming familiar with the system on his previous productions for Bonnie & Clyde, Sister Act and The Lion King overseas. The SD7's powerful system and diminutive size made it a perfect fit for the new show.
A few years ago, I saw a brief demo at Masque Sound when the SD7 first became available, he recollected. Seeing the feature set and the redundant engine and power supply all onboard got me interested. When designing The Lion King for Singapore in 2010, part of my negotiation involved suggesting that we swap out the Cadacs with SD7s in New York and London for both creative and financial reasons. Before I knew it, I'd gotten an email telling me to move forward. Within 6 weeks of that conversation we were implementing the SD7s on the New York show and a month after that we were doing the same in London. I've been using SD7s pretty much on every show since.
Shivers says the console offers a lot of flexibility, especially with the new T software, which he says brings features and functionality specific to our needs on theatrical productions as well as a solid sounding foundation in a very compact package. The SD7T software has added these very beneficial features thanks to [award-winning sound designer] Andrew Bruce's involvement in the development. Having onboard compression, gating and delay along with the programmability and recallability of those parameters on every channel opens up possibilities that you just can't have with an analog console. It's definitely been an upgrade for us from that standpoint. A positive byproduct has definitely been the size of the console, which allows you to get into smaller spaces and require less seats and has served as a large financial windfall for producers. For me, from a purely creative and design standpoint, it's about the capabilities of the console. I'm not one to follow the crowd necessarily, but the SD7 has become a standard of our industry and the reason everybody's using them seems clear. It has proven itself to be a very capable and reliable console.
The SD7 with the T' software option has indeed proven to be a very good investment for Masque Sound, says Masque's Scott Kalata. It has near-universal client acceptance, unlimited flexibility and its small footprint make it the ideal choice for today's theatrical sound designer.
The show's Associate Sound Designer & Production Sound Engineer David Patridge has mixed on virtually every make and model DiGiCo has offered since the D5 in his two decades on Broadway. He, too, raves about the increased functionality that the Theatre Software offers.
This is the number one reason for using SD7 in my opinion, he offers. We really appreciate all of the work that DiGiCo has undertaken, in tandem with Andrew Bruce, in developing a purpose-built version of the SD7 software for the theatrical market. DiGiCo has been very responsive in listening to end-users and new features are added and perfected constantly along with the elimination of oddities and bugs.
I could fill pages on all of the features and how we use them. Specifically, the Auto Update is a great feature on its own but when it is employed as part of the theatre software it is really powerful and allows the desk to remain automated to a much larger degree than other types of desks. Typically, when using a recallable desk, you would need to dumb-down many of the features in order to avoid constantly recalling entirely new settings each time a scene is recalled. With the theatre software, you can expect the desk to operate in a manual' way but with full and selectable recall ability from moment to moment. On other productions such as The Lion King, we have enjoyed using the Gain Tracking ability of the desk in a creative new way. There is no other desk that I know of where you can assign headamps to a redundant set of control channels dedicated to band monitoring and then have the digital trim of those redundant channels track changes to the headamp. DiGiCo has really stepped up by providing a console that provides us with the greatest creative freedom when doing theatrical sound designs.
We use the onboard processing extensively for band reverbs and dynamics, which really cuts down on the real estate at the FOH position. The only outboard gear we're using is a couple of Avalon Tube Compressors for our lead vocalists to fatten up their vocals. We also have a TC6000 System and Eventide H3000 for Vocal Effects/Reverbs etc. We are not using Waves yet, but I am interested in doing this in the future.
The show's system inputs total 116 analog and 6 AES, in addition to 60 analog outputs and 14 AES outputs. The production uses a pair of DiGiCo SD Racks along with the local I/O and MADI for the QLab playback system. They took advantage of the onboard MADI Split on the SD Rack in order to provide audio to a Yamaha PM5D monitor console. The new racks offer a host of features positioning them well for use where audio is being split to a number of places like OB trucks etc., without needing to tap into the topology of the SD7 audio engines.
By its very nature, Patridge explains, the SD7T solves many of the issues that crop up when dealing with a theatrical piece. The cuelist structure, MIDI implementation, onboard input and output dynamics, the desk footprint and the
Most recent headlines
04/08/2024
Dalet, a leading technology and service provider for media-rich organizations, is excited to announce Santiago Solanas as its new Chief Executive Officer (CEO)....
03/06/2024
Dalet, a leading technology and service provider for media-rich organizations, a...
29/04/2024
(L-R) Mark Gatiss and Polly Walker on set
Monday 29 April 2024 Further casting is now confirmed for Bookish (6x70), a brand-new drama created by Emmy Award-wi...
29/04/2024
A groundbreaking initiative offering training and mentoring to 30 women journali...
29/04/2024
Even though we've been doing this for over 40 years, a spark of excitement r...
29/04/2024
L3Harris is delivering manpack radios to U.S. Army CH-47 Chinooks as part of the Air-to-Ground Networking Radio program, providing seamless, resilient communica...
29/04/2024
He writes in Defense One: Despite the near-universal acknowledgement throughout the U.S. government and defense industrial base of the criticality of resilient ...
29/04/2024
eds3_5_jq(document).ready(function($) { $(#eds_sliderM519).chameleonSlider_2_1({ content_source:......
29/04/2024
Codemill aims to revolutionize media workflow efficiency at this years NAB Show by introducing Just-In-Time (JIT) playback technology in Accurate.Video Validate...
29/04/2024
April 29, 2024
-- TF1 Chooses Broadpeak to Power Targeted Advertising for New...
29/04/2024
LOS ANGELES Allen Media Group (AMG) has partnered with LG Electronics to bring 223 Local Now FAST channels to LG's free streaming service, LG Channels, avai...
29/04/2024
OTTAWA Ross Video has announced the introduction of Raiden, a data-driven weather graphics software that combines data gathering, processing, and visualization ...
29/04/2024
Panalux, a leading rental provider of lighting and power solutions for the motion-picture industry and part of Panavision's end-to-end service offerings for...
29/04/2024
Cobalt Iron Inc., a leading provider of SaaS-based enterprise data protection, today announced that it has received a patent on its technology for dynamic autho...
29/04/2024
SDVI, the leading platform provider for cloud-native media supply chains, today announced that Rally Access Workstation, a fully managed solution for editing in...
29/04/2024
Premier Sports, a premium sports broadcaster, has selected QuickLink's Remote Commentary solution for introducing professional, high-quality remote commenta...
29/04/2024
Glookast has chosen Jigsaw24 Media as the only UK channel partner to represent their portfolio of ingest and workflow optimisation products. The agreement, sign...
29/04/2024
Clear-Com played a pivotal role in the seamless coverage of the recent solar eclipse on April 8, 2024. Leveraging its cutting-edge Eclipse HX Digital Matrix i...
29/04/2024
PlayBox Neo will promote its complete range of television channel management, graphic branding and playout solutions to EMEA region media content owners and bro...
29/04/2024
Lingo, RuPaul's word-twisting game show, returns for season two on CBS Friday, May 24. Two episodes air that night, and stream on Paramount Plus, too....
29/04/2024
ESPN and Amazon Prime Video are reportedly close to scoring television rights to the National Basketball Association, according to published reports....
29/04/2024
Judge Judy and Hot Bench, CBS Media Ventures' genre-leading court shows, have been renewed through the 2025-26 TV season in more than 95% of the country, Gr...
29/04/2024
Premier Sports, an Irish-based premium sports broadcaster, has selected QuickLink's Remote Commentary solution for introducing professional, high-quality re...
29/04/2024
The awards celebrate the craft of behind-the-scenes TV talent and the best programmes of 2023
By Matthew Corrigan
Published: April 29, 2024
The awards cel...
29/04/2024
The team at Milk had to create and deliver the VFX and environment work for the royal residences featured in the drama from scratch
By Jenny Priestley
Publis...
29/04/2024
CEO Bob Bakish is expected to leave the company as early as today, with a new leadership committee likely to run the company on an interim basis
By Jenny Pries...
29/04/2024
Albena Ivanova, director, media and entertainment and strategic products at CHAOS talks to TVBEurope about her route into the industry
By TVBEurope Staff
Pub...
29/04/2024
The acquisition gives Grand Technix the opportunity to expand its footprint in the audio visual and broadcast technology sectors
By Jenny Priestley
Published...
29/04/2024
29 04 2024 - Media release Screen Australia announces James J. Robinson's debut feature First Light
First Light
Principal Photography is underway on Firs...
29/04/2024
Capitol Broadcasting recently became the inaugural company honored with inductio...
29/04/2024
April 29th, 2024 UNINTERRUPTED AND TRIBECA ENTERPRISES PARTNER FOR SECOND-ANNUA...
29/04/2024
Rebrand and refresh: SailGP talks bringing its graphics operations inhouse for a...
29/04/2024
Reflecting on a Storied Career: Sean McManus Looks Back While Keeping an Eye on ...
29/04/2024
Drones Take Flight Inside MSG: How Sky Candy Studios is Upping the Excitement fo...
29/04/2024
Back to All News
Netflix Announces a Diverse Lineup of Polish Titles to Debut i...
29/04/2024
Tonight on Smoke and Mirrors: Fanyana feels embarrassed about his sexual mishapDon't miss Monday, 29 April's riveting episode of South African soapie Sm...
29/04/2024
Talk about commitment. When startup SEA.AI, an NVIDIA Metropolis partner, set out to create a system that would use AI to scan the seas to enhance maritime safe...
28/04/2024
Mediahaus delivers the first SRT live-streaming sports production over 5G with U...
27/04/2024
On April 26, L3Harris Chair and CEO Christopher E. Kubasik joined CNBC's Mor...
27/04/2024
PORTLAND, Oregon Audinate Group Limited, the developer of the Dante AV-over-IP solution, announced significant new additions to Dante Connect, its cloud-based D...
27/04/2024
TORONTO Bell Media has launched 10 English and French-language FAST channels featuring entertainment, factual, news, and sports programming. The new free stream...
27/04/2024
An extensive new analysis of the news segments in the broadcast evening news programs of ABC, CBS, NBC and PBS has found that broadcasters devoted most of their...
27/04/2024
GERMANTOWN, Md. EchoStar's Hughes Network Systems has opened a new manufacturing facility and private 5G incubation center in Germantown, Maryland....
27/04/2024
Harry Pappas, one of three brothers who founded Pappas Telecasting Companies in 1971, died April 24. He was 78 years old....
27/04/2024
ATLANTA and LONDON Mexican telecommunications and broadcast company Televisa has selected Synamedia for an overhaul of its broadcast distribution....
27/04/2024
Participate in the Survey - The Impact of AI on Media and the Creative Industry
Pascal Wagner April 26, 2024
0 Comments
By participating in this surve...
27/04/2024
SDVI Rally Access Workstation Earns Two Top Awards at 2024 NAB Show
Brie Clayton April 26, 2024
0 Comments
SDVI, the leading platform provider for clo...
27/04/2024
Berklee's Music and Health Institute Launches Community Health Musician Cert...
27/04/2024
Charter Communications reported higher first-quarter profits despite continued cord-cutting and competition for broadband customers....
With songs by rocker girl Cyndi Lauper and story by celebrated actor/playwright, Harvey Fierstein, Kinky Boots has Broadway on its proverbial feet. Based on the 2005 British flick about a struggling shoe factory that reinvigorates business by making fetish footwear for drag queens, the show opened to rave reviews and a TONY award nom on the horizon. In keeping with many award-winning shows on the Great White Way,' sound designer John Shivers opted for a DiGiCo SD7T to handle the production, after becoming familiar with the system on his previous productions for Bonnie & Clyde, Sister Act and The Lion King overseas. The SD7's powerful system and diminutive size made it a perfect fit for the new show. 
