
At-Home Production Provides Bevy of Logistical Benefits, but Connectivity Challenges Remain In a discussion at the LiveTV:LA conference, broadcasters and vendors explain how they are meeting them By Brandon Costa, Director of Digital
Friday, August 11, 2017 - 10:06 am
Print This Story
Story Highlights
At-home production, along with the IP technology that makes possible, is no longer emerging. It's here, and it's being deployed by many of the major broadcasters and sports leagues across the country, whether their viewers can tell or not. As the industry moves forward with growing confidence, how are they leveraging these opportunities, and what technological challenges remain?
The topic of at-home production and IP was addressed during a panel discussion at SVG's LiveTV:LA conference. From left: Deluxe's Rick Phelps, Pac-12 Networks' Leon Schweir, NFL Media's Dave Shaw, Aspera's Jonathan Solomon, and The Video Call Center's Larry Thaler
In San Francisco, Pac-12 Networks has been one of the early success stories in at-home production and IP technology. The five-year-old network produces 850 events for live television distribution per year, all featuring some element of IP and more than 400 produced with a full at-home workflow. To make it possible, Pac-12 Networks has established an Internet 2 network that connects nearly 100 venues on 12 campuses across the conference.
In the world that we're in, the network is where you start, said Leon Schweir, SVP, production, Pac-12 Networks, on a panel at LiveTV:LA. The network that we have is robust enough that we don't have to worry about how many cameras we're bringing; we don't really worry about latency, packet loss, or jitter. It's a very stable network.
For an at-home production, Pac-12 Networks will roll up to the venue with no more than a Sprinter van and six or seven cameras. The only people needed onsite are the camera operators and an A2 to test audio. The camera and audio feeds are sent to a control room in Pac-12 Networks' San Francisco facility, where it's cut as if it had gone to an onsite production truck .
In Schweir's view, this offers multiple benefits, including the ability to use top production and operations talent on more events than geography would normally allow. It means not only that the scale of programming is greater, with broadcasts that could never have been done in traditional production models, but that the quality of those shows is greater.
In San Francisco, we have our core group to do all of these events, he pointed out. We think that's an important component of why we're able to get quality into events that we maybe normally wouldn't be able to get such quality [into]. We have our regular skill positions all the time. It's always hard to hire - depending on what cities you are going to - TDs, A1s, replay [operators], graphics [operators]. So, for us, we are getting much better quality and consistency in at-home productions than if we tried to do this in 96 venues over six states.
Even the NFL and NFL Media are heavy users of IP technology and at-home workflows. Although NFL Network no longer produces any live NFL games, the network does provide hours per day of live studio programming, and for major events, such as the Super Bowl, the NFL Draft, or Thursday Night Football, at-home models are critical to the live network-produced shows from those sites.
Mostly, it was [done] to save money originally, but we bring it in for our digital packages; we bring it in for our highlights, said Dave Shaw, VP, production, NFL Media. We bring in a clean feed and a dirty feed. So we package nine muxes in every game from a single fiber.
Although this may sound like an operations manager's nirvana, the technology is still its infancy. From reliable networks to firewalls to finding connectivity in non-traditional venues, at-home production and IP technology still have plenty of hoops to jump through before becoming mainstream.
Perhaps no greater challenge remains then that of the first mile : getting broadcast-quality connectivity from a place that may not be very conducive to it. Numerous tech vendors are developing solutions to this problem, including Deluxe. Known primarily across the entertainment industry as the big creative-services and postproduction house, Deluxe also has an extensive IP network for broadcast distribution and cloud playout.
We use contested internet activity that's available at the venue, so each venue could, potentially, have an issue with that, said Rick Phelps, SVP, broadcast sales, Deluxe. We're experimenting with 4G and 5G technology to overcome any obstacles that you have with the connectivity. Once we get [the content] into our encoded environment and get it onto our broadcast-delivery network, that mitigates all the problems you would have. But that first connectivity at the venue is still the main issue.
For such vendors as Aspera, one of the industry leaders in transmission and high-speed file-transfer software, the solution for the time being is commoditized transport.
Not every event is going to be in a major venue, where you have [a connection to] The Switch or Level 3, noted Jonathan Solomon, senior sales and systems engineer, Aspera. So I think [we enable] it by going to commodity and working over the problems instead of around the problems.
Want to hear more about the current and future state of at-home production and IP technology? Watch the entire conversation from a panel on the topic from our LiveTV:LA conference below:
Most recent headlines
05/01/2027
Worlds first 802.15.4ab-UWB chip verified by Calterah and Rohde & Schwarz to be ...
09/10/2026
September 10 2026, 06:00 (PDT) Dolby Expands Dolby OptiView Platform with New Capabilities at IBC 2026
New Sports Intelligence helps providers better unders...
07/10/2026
Dalet, a leading technology and service provider for media-rich organizations, today announced the latest Long-Term Supported (LTS) release of Dalet Flex. Build...
25/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
25/09/2026
Long-Standing Customer Renews Multiyear Contract for VO's Secure Video Player, Content Security, and Device Monitoring Solutions
Viaccess-Orca (VO), a glob...
25/09/2026
Automate Video Progress Bars in After Effects - No Keyframes!
Graham Quince September 24, 2026
0 Comments
Learn how to create an automated video playb...
24/09/2026
Broadcast Management Group (BMG) is supporting Virginia Public Media (VPM), the ...
24/09/2026
RED Digital Cinema's RED V-RAPTOR [X] and RED V-RAPTOR XL [X] cameras with the Phantom Track feature are the first cameras to receive GhostFrame Pro Certifi...
24/09/2026
Bringing together the full family of networks, FOX Sports is also adding Tubi, F...
24/09/2026
Virginia Polytechnic Institute and State University (Virginia Tech) has unveiled...
24/09/2026
The blog collects SVG's reporting on AI across U.S. and European sports broadcasting
Since SVG launched the AI Innovation Lab in April to advance the devel...
24/09/2026
SVG's annual TranSPORT conference, which will be held on Tuesday, Oct. 20 in...
24/09/2026
The self-built Master Control Room has cut streaming operations incident-respo...
24/09/2026
Ortana Media Group, the software systems integrator behind the Cubix workflow platform, has connected AudioShake's audio separation models to ScorePlay thro...
24/09/2026
AudioShake has released Multi-Speaker 2.0, the company's newest Multi-Speaker model, which removes 75% more noise and offers 32% better separation of overla...
24/09/2026
By Jon Morgan, Founder and Executive Producer, Ryval Studios
For Major League B...
24/09/2026
Spectrum SportsNet has revealed its comprehensive programming and live game broa...
24/09/2026
The Charlotte Hornets has unveiled new broadcast partnerships with Gray Media an...
24/09/2026
DAZN will be the exclusive direct-to-consumer streaming partner for the Detroit Pistons beginning with the 2026-27 season. Subscriptions are available at DAZN.c...
24/09/2026
The National Hockey League (NHL) has made an agreement with Spectrum that will allow Spectrum TV customers in the Minnesota Wild local broadcast territory to wa...
24/09/2026
The Carolina Hurricanes has reached a multi-year distribution agreement to provi...
24/09/2026
The St. Louis Blues has introduced Blue Note as the name of the new, exclusive ...
24/09/2026
Blue Jackets Hockey Network, the television home for Blue Jackets hockey, is coming to Spectrum TV under a new carriage agreement between the National Hockey Le...
24/09/2026
The next generation of multitrack recording for live sound
The latest version of Waves' dedicated live multitrack recording software delivers an array ...
24/09/2026
An idea machine for musicians
Described as an idea machine for musicians , the latest addition to Polyend's growing collection of guitar pedals combin...
24/09/2026
Alignment tool gains multitrack layout
Synchro Arts have just launched the latest version of their renowned time-alignment plug-in, and it's said to be ...
24/09/2026
Synth gains DAW Control & Ctrl-e integration
Expressive E have just released a major firmware update that brings some interesting new features to the Osmose...
24/09/2026
Rohde & Schwarz expands its system amplifier portfolio with the R&S SAM200 for a...
24/09/2026
September 24, 2026
The Hitachi Startup Challenge FY26 invites innovative startu...
24/09/2026
Download Now!
To receive a short case study showcasing NHK Technologies, Inc. (NT) s audio setup, please enter the following details:
--
First Name* Fir...
24/09/2026
Manifold Technologies Appoints Ryhaan Williams as CCO for North America
Brie Clayton September 24, 2026
0 Comments
Brings three decades of broadcast e...
24/09/2026
UNIFACHA Expands Educational Program with DaVinci Resolve Studio
Brie Clayton September 24, 2026
0 Comments
Brazilian university empowers next generat...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Viewers watching videos from the Austrian Parliament online will soon find it easier to verify the authenticity of the content. Big Blue Marble, an internationa...
24/09/2026
nsign, the digital signage SaaS platform built around its Simplify Complexity principle, is now officially certified for BRAVIA Professional Displays from Son...
24/09/2026
Encompass Digital Media today announced the successful migration of multiple Viaplay free-to-air channels, including TV3, TV6, TV8 and TV10, to its Altitude Sch...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Share
Copy link
Facebook
X
Linkedin
Bluesky
Email...
24/09/2026
Music Supervisor, Composer, and Mixing Engineer Santiago Uribe has built a career around producing music for film and television, contributing to more than 40 p...
24/09/2026
The North American Broadcasters Association (NABA) will hold a full-day cybersecurity summit focused on defending against growing cyber threats facing the broad...
24/09/2026
London, 24th September 2026: UKTV has commissioned an eighth series of Canal Boat Diaries (8x60') for U (u.co.uk) and U&YESTERDAY, with waterways explorer R...
24/09/2026
September 24th, 2026 TRIBECA FESTIVAL AND AT&T OPEN SUBMISSIONS FOR 10TH ANNIVE...
24/09/2026
Reinaldo Marcus Green, director of six-time Academy Award-nominated King Richard...