Solid State Logic Announces software v for L Live consoles
17/03/2014
Solid State Logic ha anunciado en Prolight + Sound el lanzamiento del nuevo software V2 para las consolas SSL Live. La primera consola de la compa a dedicada al sonido en vivo, ha sido extremadamente bien recibida por la comunidad del sonido en vivo desde su anuncio en el show de Frankfurt del a o pasado.
El lanzamiento del nuevo software V2 para la consola presenta una colecci n sustancial de valiosas caracter sticas nuevas. La versi n, viniendo apenas seis meses despu s de que las primeras unidades salieran de la linea de producci n, demuestra el ritmo veloz de desarrollo continuo en SSL y demuestra la reputaci n bien fundada de la compa a para escuchar comentarios de sus clientes y desarrollar funcionalidad nueva y emocionante que va m s all de las expectativas de la industria.
Dentro del lanzamiento del software Version 2, hay m s de 25 funciones adicionales nuevas a la consola Live de SSL, que abarca mejoras al Output Matrix, al rack de efectos, a la interfaz de usuario, al enrutamiento, al Solo System y al Focus Channel, as como la introducci n de una aplicaci n comprensiva Offline Setup. El nuevo software, que saldr a la venta p blica en abril del 2014, se convertir en est ndar en todas las consolas nuevas y est disponible de forma gratuita para todos los propietarios existentes.
Entre las nuevas caracter sticas destaca el Offline Software de SSL Live que permite a los ingenieros crear, configurar y editar todos los aspectos de un Live Showfile desde la comodidad de su propio computador port til, por lo cual la creaci n o edici n de los archivos de Preset y Show se vuelve sencilla y eficiente. Al usuario se le presentan los mismos men s, las mismas pantallas y las mismas opciones que en el software completo de la consola, creando un entorno de usuario familiar, lo cual les permite configurar un Showfile desde cero o cargar uno de los archivos de plantilla SSL Template Files y editarlos para acomodarlos a sus propias necesidades.
Todos los aspectos de la Configuraci n de la Consola se pueden editar, dando al usuario el control completo sobre el poder del motor de procesamiento Tempest de la Live. Se ofrece tambi n el acceso completo al enrutamiento y a la configuraci n de la caja esc nica. Junto con nombrar, colorear y utilizar las herramientas de indentificaci n de canal nicas Eyeconix. La distribuci n de los bancos y las capas Fader Tile tambi n se pueden configurar y acceder desde el software. Tanto como el control sobre el enrutamiento del bus de mezcla, suministro pre/post punto de alimento y todos los otros par metros del canal relativos al audio. Adem s, el sistema de automatizaci n es totalmente accesible para que las escenas, los filtros de automatizaci n y las acciones de entrada/salida puedan ser creadas, editadas y actualizadas. Esto tambi n incluye los modos de Grupo, re-numeraci n de escenas, etc. Una vez un archivo de Show haya sido creado o editado, puede ser guardado y exportado a una memoria USB y luego importado a la consola Live listo para utilizarse.
Efectos
El lanzamiento de la Versi n 2 re ne, por otro lado, una selecci n de nuevos efectos que introduce opciones sonoras adicionales y formas para maximizar la potencia de procesamiento de la plataforma Tempest. Los nuevos efectos incluyen cuatro tipos de EQ (la G-Flex EQ s per flexible; que viene en versiones de filtro de 8, 16, 24 y 32, un nuevo, smooth Contour EQ, una EQ din mica de 1 y 2 bandas y una Parametrica 4+2 Bandas), cuatro efectos nuevos de Delay (Tape Echo, Ping Pong, un nuevo Short Delay y Multi-Tap delays nuevos), emulaciones Guitar Cabinet' y Bass Cabinet' y cinco reverbs (Ambient, Cathedral, Stadium, Recording Room y Tight ER). Estas nuevas reverbs aumentan la facilidad de uso y hacen que la configuraci n del reverb sea mucho m s sencilla mientras se conserva la calidad de audio suprema del ER Verb de la Versi n 1 del software de Live. Una nueva herramienta Phase Scope tambi n ha sido agregada. Con todos los filtros All-Pass disponibles en todos las rutas procesadas, la adici n de un phase scope al rack de efectos le permite al operador utilizarlos de manera m s efectiva y a agilizar su configuraci n. La Versi n 2 tambi n incluye una serie de mejoras al mismo SSL Effects Rack, para simplificar la navegaci n, la denominaci n y el enrutamiento de los efectos.
Los Matrix Outputs ahora tienen EQ, filtros All-pass y procesamiento de delay disponibles. Todas las 36 rutas de salida Matrix tienen disponibles filtros High Pass y Low Pass, un ecualizador param trico de 4 bandas, dos segundos de delay y nuestros filtros nicos All Pass. Esto es adem s de los dos inserts que pueden ser utilizados con tanto el rack de efectos interno como el procesamiento externo. Como con todos los otros tipos de rutas dentro del Tempest engine el orden del procesamiento puede ser cambiado por el operador para personalizar el flujo de se al para sus requisitos a base de Matrix-por-Matrix.
Un Swap Button' ha sido habilitado en los Fader Tiles de la consola permitiendo que el usuario le asigne cualquier banco de un Fader Tile al bot n Swap. Una vez asignado, el operador utiliza la funci n de Swap como un bot n Home, permiti ndoles pasar de vuelta a su fader bank preferido en cualquier momento con solo pulsar un bot n. Como con la funci n Flip de la consola, Swap se puede usar de forma independiente por Tile o de forma global si Swap se presiona y se mantiene pulsado. Con hasta 75 bancos de faders disponibles, esta funci n aporta flexibilidad y acelera el acceso sin importar cuantos bancos tiene disponibles el usuario. Una nueva funci n Focus Channel Lock' permite q
LINK: | http://www.panoramaaudiovisual.com/en/2014/03/17/solid-state-logic-anu... |
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