Live From MLB All-Star 2021: ESPN Enhances Statcast AR Graphics for Home Run Derby, Produces Draft From Coors Field ESPN has five NEP mobile units onsite for this year's event By Kristian Hernandez, Associate Editor Monday, July 12, 2021 - 12:07 pm
Print This Story | Subscribe
Story Highlights
Denver's Coors Field is a power hitter's heaven, and, for batted balls flying all over the place during tonight's Home Run Derby, ESPN will showcase this year's Statcast-driven alternative broadcast with reimagined on-air elements and other real-time augmented-reality (AR) overlays on ESPN2. Yesterday, the broadcaster highlighted its MLB Draft coverage with a remote production from the compound.
Our alternative Statcast presentation offers us a great opportunity to test the [production] waters, says Phil Orlins, senior coordinating producer, ESPN. We've always differentiated our Home Run Derby coverage on ESPN2, but, this year, we'll have a really aggressive plan to differentiate visual coverage of each at-bat with augmented reality.
High Fly Balls: Statcast's New Look Has Real-Time Arrow, Target Graphic Augmented-reality graphics will display real-time exit velocity and launch angle.
Since debuting at the 2018 MLB All-Star Game in Washington, DC, a Statcast-centric production has captured the attention of both younger fans and diehard fans who are into new-age analytics. In 2019, the broadcaster continued execution of 3D spray charts and, this year, will implement them on the aerial FlyCam system that will soar across the outfield grass after the conclusion of each batter's round.
For a twist making its Home Run Derby debut, ESPN worked closely with Major League Baseball on real-time augmented-reality graphics. The overlay will display an arrow pointing in the direction of the batter's calculated launch angle with exit velocity at the bottom. As the ball travels through the air and lands in the stands, the alternative broadcast will show a target with the ball's accurate distance.
A target with accurate distance will appear at the site where the ball lands.
In 2018, [advanced analytics] weren't as mature and well-developed as they are now, says Orlins. Now fans are constantly seeing it.
Seen during the 2019 Derby, a two-box format is being deployed to accommodate the fast pace of the event. Paired with these new AR activations, the Statcast edition will keep the batter on the left side of the screen and toggle between a high-home-plate view and angles from both the first- and third-base sides. In previous iterations, Orlins and his staff had to react quickly and potentially miss a ball landing in the crowd.
Another example of Statcast graphics is 3D spray charts.
The best-case scenario was a home run being hit and the next pitch coming right as the ball landed, Olins notes. The primary box [on the right] is pretty frenetic, with balls being hit into the air, balls landing, and other reaction shots. Committing to this split screen has been one of the biggest enhancements that we've made over the last five years.
Compound Workflow: NEP Trucks Handle Robust Derby Coverage In the compound, all studio shows, the main presentation, and Statcast edition of Monday's slugfest will be produced from five separate NEP trucks: ND4 A and B units, Black, Red, and Super B. To produce this high-profile event, the quintet of mobile units will unfortunately be different from what ESPN is accustomed to using.
The mobile units that we've used for this event in the past were not available due to the overlap in sports that is happening right now, explains Cindy Pennington, project manager, ESPN. Along with crewing, these were some of the challenges that we've had to deal with this year and had to rethink things.
The rethinking of production elements has extended far beyond the compound. During other years, ESPN would construct its infrastructure for the Derby on Monday, break down the equipment, and allow Fox Sports to erect its dedicated devices. This year, both broadcasters are following a more streamlined plan, sharing specific resources within the venue.
Since we use similar camera positions, we finally said, Hey, why are we building on one day and you're building another day?' says Pennington. We've worked together on cabling and other workflows, and that has been a huge help for both of us.
On the camera front, ESPN will serve up engaging views for the at-home viewing audience. In addition to the FlyCam, the network will have a stealth tower robotic camera in the middle of the field to show each pitch, multiple super slo-mo robos in front of home plate, a Phantom camera, and a shallow depth-of-field camera.
Down and Dirty: Derby Audio Goes Into the Ground ESPN will have a fair share of the cameras covering the progress of tonight's Derby, and its audio coverage is no less impressive. Tasked with bringing the crack of the bat and the feel of a towering home run, technicians have installed an array of microphones in certain areas around the field, including the dirt portion around home plate. Since the All-Star Game and its Home Run Derby take place in a new venue every season, the audio team learns to adapt to the schedules and workflows of each facility's grounds crew. To make sure this procedure runs as smoothly as possible, the broadcaster accurately follows the home team's rules.
https://www.sportsvideo.org/new/wp-content/uploads/2021/07/Camera-Burial.mp4
One of the biggest challenges has always been working together with the grounds crew, says Kevin Cleary, remote operations specialist, ESPN. This area is usually hallowed ground for them, and allowing us to dig into their infield to place microphones was a big hurdle to get by. Once they realize that we're respectful of th
