Historias Lamentables: Flujo de trabajo ACES y HDR durante una Pandemia
17/02/2021
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[ENGLISH BELOW]
SGO, Partner de producto ACES, presenta un evento exclusivo sobre la ltima pel cula de Javier Fesser, Flujo de trabajo durante una Pandemia Lamentable , teniendo lugar el Jueves, 18 de Marzo a las 19 hs.
-- Inscr bete ya!
En este encuentro virtual presentado en Espa ol, los creadores de la pel cula Historias Lamentables, discutir n c mo preparar a futuro una producci n y c mo dise ar un flujo de trabajo que priorice la integridad del material y el intercambio de archivos de imagen de forma no destructiva, aportando la flexibilidad necesaria para asumir cualquier contratiempo s , incluso una pandemia.
Aprenderemos c mo se adaptaron diferentes departamentos, manteniendo el rigor t cnico trabajando desde casa y c mo superaron las expectativas: masterizando en HDR aunque en un principio ese tipo de entrega ni siquiera fue prevista.
Sobre ello y otros temas interesantes hablar n:
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-- Francisco Ramos Howell, dise o de flujo de trabajo de post-producci n
Colorista profesional y especialista en flujo de trabajo HDR con m s de diez a os de experiencia en la industria. Francisco, tambi n conocido como Paco marc su camino como colorista senior y estere grafo online de Mistika en Sky UK. Durante los ltimos cuatro a os, Paco ha trabajado como freelance, dise ando flujos de trabajo de color ACES para pel culas como Historias Lamentables y la serie de Netflix Hache . Paco est muy involucrado en iniciativas educativas y ayuda a ampliar la base de conocimientos en espa ol ofreciendo formaci n ACES, SDR & HDR Color Management para empresas en Espa a.
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-- Susana Munia n, Colorista
Con m s de veinte a os de experiencia en la industria audiovisual, Susana primero trabaj como creativa en el dise o de imagen de canal y cabeceras de programas, publicidad, y como compositora VFX en ficci n, entre otras, en la serie m s longeva de TVE Cu ntame c mo pas . A partir de 2005 empez a dedicarse al color principalmente. Su trabajo destaca tanto en proyectos publicitarios (Once: Campeonas) y documentales (Pol tica Manual de instrucciones), como tambi n en series de televisi n, cine de autor, y grandes producciones ( A perfect Day , El hombre de las mil caras , Historias lamentables ).
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-- Lucas G Mendoza Saugar, DIT
Comenzando su carrera profesional hace 18 a os como fot grafo de eventos, editor de video y dise ador gr fico, Lucas empez a desempe ar su rol de DIT en 2012, consiguiendo una amplia experiencia y conocimientos de todo tipo de c maras digitales, flujos de trabajo y ltimos softwares de creaci n de dailies y correcci n de color.
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-- Ferran Piquer, VFX
Supervisor y Dise ador de VFX durante 20 a os, ha trabajado en m s de 80 pel culas y ha sido ganador de 2 premios Goya en la categor a de efectos especiales entre otras menciones. Algunos de sus proyectos m s recientes son 30 Monedas de lex de la Iglesia para HBO, Historias Lamentables y Campeones de Javier F sser y, Ad de Javier Calvo, entre muchos otros. Actualmente participa en procesos de rodaje y postproducci n de Las Leyes de la Frontera de Daniel Monz n y El Buen Patr n, de Fernando Le n de Aranoa.
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En el evento contaremos tambi n con uno de los profesionales m s reconocidos de la industria a nivel global, Joachim Zell, ACES Project Vice-chair. El panel ser moderado por realizador, divulgador y formador con m s de 15 a os de experiencia en el sector, Pedro Alvera, co-fundador junto a Juan Ugarriza de finalcutpro.es, medio de comunicaci n destinado al mundo del montaje y la postproducci n.
Para obtener m s informaci n sobre ACES, visite www.acescentral.com
-- ACES, HDR and creative flexibility during a pandemic for Amazon's show Unfortunate Stories
SGO, an ACES product partner, is delighted to announce an exclusive online event A Conversation on ACES, HDR and creative flexibility during a pandemic for Amazon's show Unfortunate Stories , taking place on Thursday, 18 March 2021 at 7 PM (Madrid time).
At this exciting panel discussion with the filmmakers, you'll have a chance to learn how to design a future-proof (post)production pipeline that prioritizes the integrity and exchange of media in a non-destructive way and at the same time provides the flexibility to efficiently face and surpass any challenge even a pandemic.
We will see how different departments adapted to maintain technical standards working from home and how they even exceeded expectations: delivering a project mastered in HDR that was initially going to be released in theaters. At the session, presented in Spanish language, we will have the pleasure of hosting:
Lucas G Mendoza Saugar, DIT
Beginning his professional career 18 years ago as an event photographer, video editor and graphic designer, Lucas began his DIT role in 2012, gaining extensive experience and knowledge of all types of digital cameras, workflows and the latest software in dailies and color correction.
Francisco Ramos Howell, post-production workflow design
Professional colorist and HDR Workflow specialist with more than ten years of experience in the industry. Francisco, also known as Paco marked his path as a Mistika Senior Colorist & Online Stereographer at Sky UK. During the past four years, Paco
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