Sony Pixel Power calrec Sony

Online video delivery at the dawn of the 5G era

18/04/2019

Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg

Contributor 1 min ago

Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg

target=_blank title=Share on LinkedIn class=share-linkedin> Igor Oreper, vice president solutions, Bitmovin, looks at the 5G chicken and the data egg

https://www.tvbeurope.com/features/online-video-delivery-at-the-dawn-of-the-5g-era title=Share via Email class=share-email>

Nearly 10 years on from the world's first publicly available LTE services, the impact 4G networks have had on mobile video consumption is clear. The ever-growing availability of online video content has changed the way media is distributed and consumed forever. Consumers have greater control and flexibility to watch what they want, when they want, on the device or platform of their choosing, in increasingly high definition. Research from Openwave Mobility showed that in the last five years, video consumption on mobile networks has grown on average 50-60 per cent year-on-year, a figure that is more than doubled when looking at developing markets in isolation.

In addition, at Mobile World Congress this year, we saw the future of video consumption on the go being realised, with manufacturers such as Huawei, Xiaomi and LG unveiling the first 5G phones to hit the market. Over the next few months, carriers like Verizon in the US and Vodafone in the UK will also start to make 5G services available in selective locations.

The 5G chicken and the data egg

At the dawn of next generation networks, one of the biggest challenges for online video content providers today, lies in managing the costs of Content Delivery Networks (CDNs). While the cost per byte has continued to decrease, the bandwidth required to keep consumers happy is increasing at an even faster rate. Online video demand is certain to continue, but is the development of 5G a response to this, or the means by which it will be accelerated? The significant improvements in transmission speed, quality and reliability will enable close to zero latency between a streaming source and the viewer, and could see newer technologies like virtual and augmented reality viewing experiences enter the mainstream.

In the short term though, early 5G deployments will represent last mile broadband data connectivity, with backbone networks growing capacity with the current trajectory driven by fibre backbones, overlaid by CDNs and boosted by such techniques as point of presence (POP) peering across global telecom providers.

Across 4G/LTE and 5G networks, digital video demand will more likely be driven by trends like cord cutting, virtual multichannel video programming distributors (MVPDs), 4K video, and global adoption of video-capable mobile devices on WiFi or mobile networks. Cisco's study projects that globally, IP video traffic will be 82 per cent of all IP traffic by 2022, up from 75 per cent in 2017. Global IP video traffic will grow four-fold from 2017 to 2022. By that time, 5G is only expected to account for 3 per cent of global mobile devices and connection.

As user demand for data and bitrates keep going up without waiting for 5G, new approaches to video compression are an absolute necessity to keep the cost of streaming down, so content providers can spend their resources on creating more compelling content. Regardless of what network content is being delivered over, this can be achieved through three video workflow techniques: multi-codec streaming, per-file encoding and per-scene adaptation.

Multi-codec streaming

This bandwidth-saving technology enables a player to detect what the most efficient codec will be for streaming video on any browser or platform. AV1, H.264, HEVC, VP9, VVC have all been designed to suit a specific environment or type of content. By encoding videos into multiple codecs and configuring a player to make informed decisions about which files to stream and to whom, operators can deliver the highest picture quality on existing bandwidth. Looking further ahead, multi-codec solutions will assist early adopters as new codecs such as AV1 become ready for mass market penetration - which promises even larger bandwidth reductions.

Per-title encoding

This process involves adjusting an encoding configuration to optimise a specific video asset. It leverages the fact that some videos are far less complex than others, and therefore can be encoded at lower bitrates. Cartoons are a classic example of where this is particularly effective. Generally speaking, they contain scenes with large areas of solid colour at a lower complexity level, which can be compressed much more efficiently than the more detailed scenes in action or sci-fi movies.

Per-title encoding relies on performing a complexity analysis on each title before the encoding process begins. That complexity score is used to adjust the bitrate ladder by sending a new encoding profile to the encoder. The result: each video in a library is encoded in a way that best suits the content - minimising the bitrate and greatly reducing bandwidth usage.

Per-scene adaptation

This technique leverages the fact that the human eye is often unable to register a lot of the information delivered in a video stream. In most videos, there are many scenes that can be streamed at a lower bitrate without the viewer noticing. Per-scene adaptation involves supplementing the adaptation logic that governs the viewer's behaviour with an additional stream of quality metadata that contains information about the visual complexity of a particular segment in the video.

In an adaptive streaming scenario with a standard configuration, the player will attempt to download a video file that fits the screen it is playing on. In a player that is configured for per-scene adaptation, the player can be alerted to
LINK: https://www.tvbeurope.com/features/online-video-delivery-at-the-dawn-o...
See more stories from tvb

More from TVB Europe

18/04/2024

How today's storage and memory decisions underpin future creativity

Ann Keefe, Regional Director - UK and Ireland at Kingston Technology, explains how storage and memory decisions made now are underpinning creativity in the futu...

18/04/2024

Escape Studios obtains UKVI licence to support international students

The newly acquired UKVI licence enables Escape Studios to recruit and retain international students By Matthew Corrigan Published: April 18, 2024 The newl...

18/04/2024

NAB 2024 popular among first time visitors

Attendees from more than 163 countries were present, including 34 delegation buying groups from around the world By Matthew Corrigan Published: April 18, 202...

17/04/2024

Colorfront showcases upgrades across product range

Colorfront has introduced AI vision-analysis tools to assist master QC operations with detecting framing anomalies, dead pixels, bright titles and sparkles By ...

17/04/2024

Meet the Founder and director

By TVBEurope Staff Published: April 17, 2024 Updated: April 18, 2024 Rory Springthorpe, founder and director at outside broadcasting company Vivid Broadc...

16/04/2024

Adobe previews generative AI tools to streamline professional video workflows

New generative AI tools will enable users of Adobe Premiere Pro to streamline editing all videos, including adding or removing objects in a scene or extending a...

16/04/2024

Atomos appoints Daniel Moore as new chief technical officer

Moore has led the development effort for over 20 products in the AV space By Matthew Corrigan Published: April 16, 2024 Moore has led the development effo...

16/04/2024

UNIT deliver picture post and colour grade for new BBC1 drama series

Coles enhanced colour separation, adding shape and depth to the characters through the use of a soft highlight and shadow roll off, and embracing the natural te...

15/04/2024

SiliconCore adds to XR range with new 1.2mm XR LED Display

SiliconCores patented Common Cathode driver chip delivers frame rates of 240 Hz and a refresh rate of 7680Hz, enabling slow motion, multi-camera view and multip...

15/04/2024

Naphtali Cave joins MOOV

The UK-based virtual studio, sports and events graphics company has appointed Naphtali Cave into a newly created role to drive technical innovation and creativi...

13/04/2024

Blackmagic Design unveils game-changer' URSA Cine 12K

The company has also unveiled DaVinci Resolve 19, which adds new AI tools, as well as over 100 feature upgrades By Jenny Priestley Published: April 13, 2024 ...

12/04/2024

Filming in extreme conditions: Mammals production team reveal all

Producer/directors Stuart Armstrong and Will Lawson detail the specialist cameras used to capture the footage for the series Dark and Cold episodes By Matthew ...

12/04/2024

Cinedeck partners with Paramount to create MTV integrated delivery platform

Cinedecks new ConneX Hub master tool leverages Adobe Frame.io and the companys ConneX products By Matthew Corrigan Published: April 12, 2024 Cinedeck'...

12/04/2024

Nikon completes acquisition of RED

The acquisition aims to enable the development of distinctive products, while leveraging the business foundations of both Nikon and Red By Matthew Corrigan P...

12/04/2024

Alison Pavitt joins Blue Lucy

She joins joins Blue Lucy after a number of years at Pebble By Jenny Priestley Published: April 12, 2024 Updated: April 15, 2024 She joins joins Blue Lu...

11/04/2024

Setting a new standard for storage

EditShare's new EFS NVMe storage solution allows creative professionals to deliver their 4K and 8K projects with unprecedented levels of performance and thr...

11/04/2024

It took 20 years to get here': Filmlight debuts media access tool

Nara can natively decode and playback a wide selection of media without the need to transcode to proxy files By Jenny Priestley Published: April 11, 2024 U...

11/04/2024

UK MPs call for freelancers' commissioner for creative industry

The Committee has recommended the establishment of a cross-departmental Freelancers Commissioner By Matthew Corrigan Published: April 11, 2024 Updated: Apr...

11/04/2024

Preserving TV's technological heritage

Jenny Priestley meets a group of enthusiasts who are working to preserve TV technology from across the decades, including cameras, OB trucks and telecine machin...

11/04/2024

Rise Academy announces new leadership, London Summer School to return

Andy Beale, Lisa Collins and Jackie Howes will lead the charity By Jenny Priestley Published: April 11, 2024 Andy Beale, Lisa Collins and Jackie Howes wil...

11/04/2024

Editor's choice: Ten things to look out for at 2024 NAB Show

From artificial intelligence and an autonomously AI-powered humanoid robot, to an immersive golf experience and our first proper look at Sphere, this is whats o...

10/04/2024

VFX house UNIT moves into new London home

UNIT will now have numerous VFX suites housing Flame, Flame Assist, Nuke and Nuke Studio, while the lower ground floor will house MCR, QC and Open Studio workin...

09/04/2024

Workflow solutions provider ERA expands into London

The office is equipped to embrace a hybrid way of working so teams can collaborate no matter where they are based, added the company By Jenny Priestley Publi...

09/04/2024

Limecraft and OOONA form AI subtitling partnership

The collaboration aims to provide content producers with streamlined subtitling processes through the use of AI and automation, enabling them to extend the reac...

09/04/2024

Harmonic concludes current market conditions' do not support video business sale

The company has also announced the appointment of Nimrod Ben-Natan as CEO, effec...

08/04/2024

Santiago Solanas announced as new Dalet CEO

Following a 30 year career at technology firms including Sage, Oracle, Cisco, IBM and Microsoft, Santiago Solanas replaces departing CEO, Carl Farrell, who will...

08/04/2024

Grass Valley highlights innovation at NAB Show

The technology provider for the live media and entertainment industry is marking its 65th anniversary with a cluster of breakthrough camera and switcher enhance...

08/04/2024

TVBEurope April 2024 issue out now

With a busy calendar of sport plus elections in both the UK and US ahead, the April issue focuses on the latest advances in live production. We meet the sound d...

08/04/2024

Opinion: Why trade shows can and must evolve

#GalsNGear founder Amy DeLouise explains how media technology trade shows can take intentional steps to fully reflect the full diversity of people who are part ...

08/04/2024

New London office for Advanced Systems Group

Opening in May and located in Aviation House, in Londons Holborn district, the new ASG UK headquarters will have the flexibility to adapt to future expansion B...

05/04/2024

Administrators appointed to Winnersh Film Studios Limited

A release says the other legal entities within the Stage 50 group are not currently in administration and continue to trade as normal By Kevin Emmott Publish...

04/04/2024

Ripley: The Sounds of Silence

Theres a lot going on in the darkness. Kevin Emmott meets sound mixer Maurizio Argentieri to find out why it was so important to amplify the silence in the Netf...

04/04/2024

VVC delivers less pain for the grain

The Media Coding Industry Forum is exploring ways to develop end-to-end film-grain management for modern digital environments By Kevin Emmott Published: Apri...

04/04/2024

IBC announces this year's Accelerator Programme

More than 180 organisations have participated in the Accelerator Programme since 2019, and it has delivered POCs for 35 projects By Kevin Emmott Published: A...

04/04/2024

New CEO announced at Viaccess-Orca

Kohler has over 20 years of international experience in senior management roles at Orange By Kevin Emmott Published: April 4, 2024 Kohler has over 20 year...

03/04/2024

Avid appoints Wellford Dillard as CEO

With more than 20 years of experience in the software industry, Dillard was previously CEO of marketing SaaS provider Marigold By Kevin Emmott Published: Apr...

02/04/2024

Changes at the top of the DPP

The DPP has transferred the role of CEO from Mark Harrison to Rowan de Pomerai, with Harrison taking the role of founder and chief content officer By Kevin Emm...

02/04/2024

Premier Sports to relaunch in the UK on April 9

Premier Sports will include coverage of the Scottish Cup, Scottish League Cup, International football fixtures, LALIGA, and more By Kevin Emmott Published: A...

28/03/2024

The 4K cameras giving audiences an astronaut's view of Earth

TVBEurope meets Charles Black, founder and CEO of Sen, which has sent a payload of 4K cameras to the ISS to livestream images of Earth to audiences around the w...

27/03/2024

I knew there were cameras, lighting, some buttons and microphones involved': How Crew Room Academy is inspiring the next generation

TVBEurope hears from some of the students who took part in Crew Room Academys Sc...

27/03/2024

Adobe reveals Gen AI solutions for content supply chain

Elsewhere, Adobe revealed a new feature in Adobe Firefly, which uses the companys generative AI to easily apply the structure of an existing image to newly gene...

27/03/2024

Best of Show Awards for 2024 NAB Show entries close soon

The awards, from industry-leading brands of Future plc, provide a great opportunity for companies to stand out at one the most attended shows in the industry B...

27/03/2024

Meet the director of IT and operations

By TVBEurope Staff Published: March 27, 2024 Updated: March 28, 2024 CueScript's director of IT and operations, Meghan Tyler, tells TVBEurope about h...

26/03/2024

Crown Works Studios moves forward following council approval

The studios are expected to be one of the largest in Europe, with 20 premium sound stages suitable for major feature film and high-end TV (HETV) productions By...

25/03/2024

Blackbird adds indexing and AI auto sequencing to video editing platform

Twelve Labs AI will enable editors to locate specific storytelling moments within their video content using natural language, said the companies By Jenny Pries...

25/03/2024

Meet the director of strategic marketing

By TVBEurope Staff Published: March 25, 2024 Updated: March 26, 2024 Bruno Fran on, director of strategic marketing at Backlight, talks to TVBEurope abou...

22/03/2024

Grass Valley secures $220 million in strategic refinancing

The company said it intends to accelerate innovation across its entire portfolio, most notably in the AMPP ecosystem following the refinancing By Jenny Priestl...

21/03/2024

Creating a fully managed live sports streaming service

As the way that viewers watch sport continues to evolve, broadcasters and streaming services must keep a finger on the pulse of the market and adapt their offer...

21/03/2024

Planetcast brings OTT in house with Switch Media acquisition

The acquisition transfers full control of Switch Medias assets to Planetcast, enabling integration of their online video solutions with Planetcasts NexC unified...

20/03/2024

Slow Horses, The Long Shadow lead BAFTA Craft Awards

Other Craft Award nominees include The Crown, Silo, The Coronation Concert and Eurovision By Jenny Priestley Published: March 20, 2024 Other Craft Award n...